"Te Deum (1984/85; rev. 1992) for 3 Choruses, piano, strings and tape: Amen - Sanctus" by Arvo Pärt, Coro dell'Accademia Nazionale Di Santa Cecilia, Roberto Gabbiani, Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung was released on March 24, 2023. With Te Deum (1984/85; rev. 1992) for 3 Choruses, piano, strings and tape: Amen - Sanctus being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Arvo Pärt, John Tavener, Henryk Górecki's "Holy Minimalism - Tavener, Pärt & Górecki" album is number 18 out of 51. On top of that, Germany appears to be the country where this track was created. Te Deum (1984/85; rev. 1992) for 3 Choruses, piano, strings and tape: Amen - Sanctus is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Te Deum (1984/85; rev. 1992) for 3 Choruses, piano, strings and tape: Amen - Sanctus by Arvo Pärt, Coro dell'Accademia Nazionale Di Santa Cecilia, Roberto Gabbiani, Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater | Andreas Scholl | F Major | 1 | 7B | 85 BPM | ||
By the Roes, and by the Hinds of the Field | Jóhann Jóhannsson, Air Lyndhurst String Orchestra, Anthony Weeden | A♭ Major | 2 | 4B | 181 BPM | ||
DANCE: I. when you're broken open | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | F Major | 1 | 7B | 69 BPM | ||
DANCE: III. in the middle of the fighting | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | A Minor | 1 | 8A | 82 BPM | ||
Nana | Manuel de Falla, Martin Fröst, Royal Stockholm Philharmonic Orchestra | A Minor | 0 | 8A | 113 BPM | ||
Il bell'Antonio, Tema III | Giovanni Sollima, Yo-Yo Ma, Kathryn Stott | C Minor | 1 | 5A | 88 BPM | ||
Prelude in G Major | Víkingur Ólafsson | G Major | 0 | 9B | 102 BPM | ||
The Heart Asks Pleasure First | Michael Nyman, Ahn Trio | A Minor | 2 | 8A | 169 BPM | ||
24 Preludes for Violin and Piano, Op. 46: No. 15 Adagio sognando | Lera Auerbach, Daniel Hope, Jacques Ammon | A♭ Major | 0 | 4B | 72 BPM | ||
Tre Laude Dolce: I | Gavin Bryars, Matthew Barley | C Major | 0 | 8B | 171 BPM |
Section: 0.6090359687805176
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