George Frideric Handel, Les Violons du Roy, Bernard Labadie's 'Solomon, HWV 67, Sinfonia: The Arrival of the Queen Sheba' came out on November 1, 2007. The duration of Solomon, HWV 67, Sinfonia: The Arrival of the Queen Sheba is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Solomon, HWV 67, Sinfonia: The Arrival of the Queen Sheba's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Les Violons du Roy, Bernard Labadie's "Handel: Water Music" album is number 22 out of 22. On top of that, Canada appears to be the country where this track was created. Solomon, HWV 67, Sinfonia: The Arrival of the Queen Sheba is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Solomon, HWV 67, Sinfonia: The Arrival of the Queen Sheba by George Frideric Handel, Les Violons du Roy, Bernard Labadie to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. Poco adagio, cantabile | Joseph Haydn, Eder Quartett | G Major | 1 | 9B | 64 BPM | ||
Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Lobgesang": Ib. Allegretto un poco agitato | Felix Mendelssohn, NDR Radiophilharmonie, Andrew Manze | G Minor | 0 | 6A | 109 BPM | ||
Minuet from String Quintet in E Major, Op. 13 No. 5 | Luigi Boccherini, Mischa Maisky, Orpheus Chamber Orchestra | A Major | 0 | 11B | 86 BPM | ||
Concerto grosso op. 6 no. 1 in G major HWV 319: II. Allegro | George Frideric Handel, Combattimento Consort Amsterdam, Jan Willem de Vriend | A♭ Minor | 3 | 1A | 80 BPM | ||
Valse-Caprice in E-Flat Major | Anton Rubinstein, Yevgeny Svetlanov, USSR State Symphony Orchestra | E♭ Major | 3 | 5B | 124 BPM | ||
La damnation de Faust, Op. 24, H 111, Scene 3b: Hungarian March | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 89 BPM | ||
Moment musical in E Minor, Op. 16/4 | Sergei Rachmaninoff, Mahani Teave | E♭ Major | 1 | 5B | 82 BPM | ||
Viola Concerto in G Major, TWV 51:G9: II. Allegro | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 3 | 9B | 108 BPM | ||
Concerto No. 1 in D Major: I. Allegro assai | Alessandro Marcello, Simon Standage, Collegium Musicum 90 | D♭ Major | 3 | 3B | 106 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | D Major | 1 | 10B | 81 BPM |
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