Hector Berlioz, London Symphony Orchestra, Sir Colin Davis made "La damnation de Faust, Op. 24, H 111, Scene 3b: Hungarian March" available on April 9, 2001. With this song being about 5 minutes long, at 5:07, "La damnation de Faust, Op. 24, H 111, Scene 3b: Hungarian March" by Hector Berlioz, London Symphony Orchestra, Sir Colin Davis is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 36 in Berlioz: La damnation de Faust by Hector Berlioz, London Symphony Orchestra, David Wilson-Johnson, London Symphony Chorus, Michele Pertusi, Sir Colin Davis, Enkelejda Shkosa, Giuseppe Sabbatini. La damnation de Faust, Op. 24, H 111, Scene 3b: Hungarian March is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of La damnation de Faust, Op. 24, H 111, Scene 3b: Hungarian March by Hector Berlioz, London Symphony Orchestra, Sir Colin Davis is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sorochinskaya yarmarka (Sorochintsi Fair): Gopak (Hopak) (arr. N. Rimsky-Korsakov for orchestra) | Modest Mussorgsky, Nikolai Rimsky-Korsakov, Ukraine National Symphony Orchestra, Theodore Kuchar | E♭ Major | 2 | 5B | 66 BPM | ||
Stabat Mater: 5. Quis est homo | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | C Minor | 1 | 5A | 94 BPM | ||
Giselle: No. 7 - Marche | Adolphe Adam, London Symphony Orchestra, Michael Tilson Thomas | D Major | 4 | 10B | 112 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Concerto for Violin & Orchestra, Op. 14: III. Presto in moto perpetuo | Samuel Barber, Gil Shaham, London Symphony Orchestra, André Previn | A Minor | 5 | 8A | 97 BPM | ||
Symphony No. 7 in D Minor, Op. 70, B. 141: III. Scherzo. Vivace - Poco meno mosso | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 174 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
Jeux d'enfants, Op. 22: I. March | Georges Bizet, Barry Wordsworth, London Symphony Orchestra | C Major | 1 | 8B | 132 BPM | ||
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | E♭ Major | 1 | 5B | 70 BPM |
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