Louis Spohr, Duo Sjelle, Boris Tesic, Christine Brinkmann's 'Sechs deutsche Lieder, Opus 72: Nr. 2 Schifferlied der Wasserfee (Arr. für Stimme und Gitarre von Boris Tesic)' had a release date set for September 8, 2023. With This song being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Louis Spohr, Duo Sjelle, Boris Tesic, Christine Brinkmann's "Louis Spohr Four Songbooks" album is number 14 out of 24. On top of that, Germany appears to be the country where this track was created. The popularity of Sechs deutsche Lieder, Opus 72: Nr. 2 Schifferlied der Wasserfee (Arr. für Stimme und Gitarre von Boris Tesic) is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Sechs deutsche Lieder, Opus 72: Nr. 2 Schifferlied der Wasserfee (Arr. für Stimme und Gitarre von Boris Tesic) by Louis Spohr, Duo Sjelle, Boris Tesic, Christine Brinkmann to be Presto (very, very fast) because the track has a tempo of 183 BPM, a half-time of 92BPM, and a double-time of 366 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Polonaise de Concert in D Major, Op. 4 | Henryk Wieniawski, Joshua Bell, Peter Dugan | D Major | 2 | 10B | 98 BPM | ||
Boccherini / Arr Stoll : Sonata No.3 in G major : III Minuetto | Luigi Boccherini, Jörg Baumann | G Major | 0 | 9B | 107 BPM | ||
Adagio, Variations and Rondo on Schone Minka, Op. 78: Variation 4 | Johann Nepomuk Hummel, Lise Daoust, Elizabeth Dolin, Carmen Picard | A Major | 1 | 11B | 128 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 1 | 5A | 84 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Wind Quintet in F Major, Op. 68, No. 2: I. Allegro | Franz Danzi, Michael Thompson Wind Ensemble | F Major | 1 | 7B | 126 BPM | ||
Faust, Act III (1852 Version): Welch ein Wahn hat mich verblendet | Louis Spohr, Diane Jennings, Bielefeld Philharmonic Orchestra, Geoffrey Moull | C Minor | 0 | 5A | 138 BPM | ||
Piano Concerto in A Minor, Op. 54: III. Allegro vivace | Robert Schumann, Evgeny Kissin, Carlo Maria Giulini, Wiener Philharmoniker | C Major | 3 | 8B | 78 BPM | ||
2 Fantasy Pieces for Oboe & Piano, Op. 2, FS 8: No. 1, Romance (Arr. for Violin & Orchestra by Anonymous) | Carl Nielsen, Bohdan Luts, Odense Symphony Orchestra, Anna Skryleva | D Minor | 1 | 7A | 107 BPM | ||
Fauré: Cello Sonata No. 1 in D Minor, Op. 109: II. Andante | Gabriel Fauré, Roland Pidoux, Jean-Claude Pennetier | E♭ Major | 0 | 5B | 121 BPM |