"Symphony No. 3, "Kaddish": IIa. Din Torah" by Leonard Bernstein, Yvonne Kenny, Willard White, Royal Liverpool Philharmonic Choir, Liverpool Metropolitan Cathedral Choir, Liverpool Philharmonic Youth Choir, Royal Liverpool Philharmonic Orchestra, Gerard Schwarz was released on September 1, 2005. Symphony No. 3, "Kaddish": IIa. Din Torah is about six minutes long, preciously at 6:18, making this song fairly long compared to other songs. The song is number 3 out of 10 in Bernstein: Symphony No. 3, 'Kaddish' / Chichester Psalms by Leonard Bernstein, Gerard Schwarz. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Symphony No. 3, "Kaddish": IIa. Din Torah is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 3, "Kaddish": IIa. Din Torah by Leonard Bernstein, Yvonne Kenny, Willard White, Royal Liverpool Philharmonic Choir, Liverpool Metropolitan Cathedral Choir, Liverpool Philharmonic Youth Choir, Royal Liverpool Philharmonic Orchestra, Gerard Schwarz is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ruslan and Lyudmila, Op. 5: Overture | Mikhail Glinka, Taras Shtonda, Ekaterina Morozova, Vadim Lynkovsky, Aleksandra Durseneva, Panfilov, Maria Gavrilova, Valery Gilmanov, Maksim Paster, Irina Dolzhenko, Bolshoi Theatre Orchestra, Alexander Vedernikov | E Minor | 1 | 9A | 154 BPM | ||
Ravel: Alborada del Gracioso, M. 43 No. 4 | Maurice Ravel, Daniel Barenboim, Chicago Symphony Orchestra | D Major | 0 | 10B | 123 BPM | ||
Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King. Alla marcia e molto marcato | Edvard Grieg, Leonard Bernstein, New York Philharmonic | G Major | 3 | 9B | 119 BPM | ||
Symphony No. 2, Op. 30, "Romantic": III. Allegro con brio | Howard Hanson, Seattle Symphony Orchestra, Gerard Schwarz | D♭ Major | 2 | 3B | 136 BPM | ||
Capriccio, Op. 85, TrV 279: Mondscheinmusik | Richard Strauss, Wiener Philharmoniker, André Previn | A Major | 1 | 11B | 100 BPM | ||
Symphony No.2: 3. Adagio cantabile | Charles Ives, New York Philharmonic, Leonard Bernstein | F Major | 0 | 7B | 84 BPM | ||
Symphony No.25 In G Minor, K. 173dB (K.183): Allegro | Wolfgang Amadeus Mozart, Wiener Philharmoniker, Leonard Bernstein | G Minor | 2 | 6A | 94 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | ||
Ravel: Ma mère l'oye, M. 60: III. Laideronnette, impératrice des pagodes | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A♭ Minor | 0 | 1A | 122 BPM | ||
Dybbuk: Part I: IV. Dream | Leonard Bernstein, Mel Ulrich, Mark Risinger, Nashville Symphony Orchestra, Andrew Mogrelia | D♭ Major | 0 | 3B | 87 BPM |
Section: 0.808917760848999
End: 0.8140926361083984