"Valse Sentimentale, Op. 51, No. 6" by Misha Quint, Svetlana Gorokhovich had its release date on October 15, 2012. The duration of This song is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Valse Sentimentale, Op. 51, No. 6's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Valse Sentimentale: Tchaikovsky, Shostakovich, Stravinsky by Misha Quint, Svetlana Gorokhovich. The song's track number on the album is #1 out of 12 tracks. Based on our data, United States was the country where this track was produced or recorded. Valse Sentimentale, Op. 51, No. 6 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Valse Sentimentale, Op. 51, No. 6 by Misha Quint, Svetlana Gorokhovich has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Valse Sentimentale, Op. 51, No. 6 being at 81 BPM, the half-time would be 40 BPM with a double-time of 162 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Preludes for Violin and Piano, Op. 46: No. 8 Andante | Lera Auerbach, Daniel Hope, Jacques Ammon | D Major | 0 | 10B | 82 BPM | ||
Beau soir, L. 6 (L. 84) (Arr. Heifetz for Violin and Piano) | Claude Debussy, Lisa Batiashvili, Yannick Nézet-Séguin | F Minor | 1 | 4A | 79 BPM | ||
Mozart: Fantasia for Piano in D Minor, K. 397 | Wolfgang Amadeus Mozart, Cyprien Katsaris | E Minor | 0 | 9A | 80 BPM | ||
Debussy: Piano Trio in G Major, CD 5, L. 3: III. Andante espressivo | Claude Debussy, Bertrand Chamayou, Edgar Moreau, Renaud Capuçon | C Major | 1 | 8B | 84 BPM | ||
Pezzo Capriccioso, Op. 62 (For Cello and Piano) | Misha Quint, Svetlana Gorokhovich | D Major | 1 | 10B | 96 BPM | ||
Three Romances for Violin and Piano, Op. 22: I. Andante molto | Clara Schumann, Esther Abrami, Iyad Sughayer | D♭ Major | 2 | 3B | 81 BPM | ||
Piano Quintet in A Minor, Op. 14: II. Andante sostenuto | Camille Saint-Saëns, Fine Arts Quartet, Cristina Ortiz | F Major | 0 | 7B | 72 BPM | ||
Bach, JS / Arr. Kempff: Flute Sonata No. 2 in E-Flat Major, BWV 1031: II. Siciliano | Johann Sebastian Bach, Andrew von Oeyen | A♭ Major | 4 | 4B | 104 BPM | ||
Die Rose, Romanze aus der Oper Zemir und Azor, S571/R259 (Spohr) | Franz Liszt, Soyeon Kate Lee | E Major | 0 | 12B | 65 BPM | ||
Waltz In c Sharp Minor Opus 64 No. 2 | Rigutto Bruno | D♭ Minor | 0 | 12A | 85 BPM |