The Rite of Spring, K015 (Revised 1947), Part 1: Ritual of Abduction
Igor Stravinsky, Sir Simon Rattle, London Symphony Orchestra
Stravinsky Ballets
1:17 March 25, 2022
BPM
123
Key
D Minor
Camelot
7A

Embed

Share Link

The Rite of Spring, K015 (Revised 1947), Part 1: Ritual of Abduction - Igor Stravinsky, Sir Simon Rattle, London Symphony Orchestra Information

Acousticness
84%
Danceability
52%
Energy
31%
Instrumentalness
88%
Liveness
20%
Loudness
76%
Speechiness
6%
Valence
28%
Popularity
Loudness
-14.666 dB

Summary

Igor Stravinsky, Sir Simon Rattle, London Symphony Orchestra's 'The Rite of Spring, K015 (Revised 1947), Part 1: Ritual of Abduction' came out on March 25, 2022. With The Rite of Spring, K015 (Revised 1947), Part 1: Ritual of Abduction being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 39 in the song's album "Stravinsky Ballets". In this album, this song's track order is #18. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, The Rite of Spring, K015 (Revised 1947), Part 1: Ritual of Abduction's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

The Rite of Spring, K015 (Revised 1947), Part 1: Ritual of Abduction BPM

With The Rite of Spring, K015 (Revised 1947), Part 1: Ritual of Abduction by Igor Stravinsky, Sir Simon Rattle, London Symphony Orchestra having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

The Rite of Spring, K015 (Revised 1947), Part 1: Ritual of Abduction Key

This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto (Allegretto) by Béla Bartók, Chicago Symphony Orchestra, Pierre BoulezConcerto for Orchestra, Sz. 116: IV. Intermezzo interrotto (Allegretto)Béla Bartók, Chicago Symphony Orchestra, Pierre BoulezD Major110B73 BPM
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezL’arlésienne Suite No. 1, Op. 23bis, WD 40: II. MenuetGeorges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezA♭ Major04B94 BPM
Symphony No.3 In C Minor, Op.78 Symphony No.3 In C Minor, Op.78 "Organ Symphony": 2. Allegro moderato - Presto - Allegro moderato - Maestoso - Più allegro - Molto allegroCamille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James LevineF Minor24A117 BPM
The Rake's Progress: Act I Scene 3: Aria: Quietly, night… (Anne) by Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert CraftThe Rake's Progress: Act I Scene 3: Aria: Quietly, night… (Anne)Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert CraftE Minor19A116 BPM
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio by Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen BalderstonSchoenberg: Verklärte Nacht, Op. 4: IV. AdagioArnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen BalderstonD Major110B82 BPM
Enigma Variations: Variation XIV. E.D.U - Allegro by Edward Elgar, Sir Colin Davis, London Symphony OrchestraEnigma Variations: Variation XIV. E.D.U - AllegroEdward Elgar, Sir Colin Davis, London Symphony OrchestraG Major29B88 BPM
Nocturnes, L. 91: II. Fêtes (Arr. by Denis Herlin) by Claude Debussy, Denis Herlin, Hallé, Sir Mark ElderNocturnes, L. 91: II. Fêtes (Arr. by Denis Herlin)Claude Debussy, Denis Herlin, Hallé, Sir Mark ElderA Major011B88 BPM
Concerto for 2 Pianos and Orchestra in D minor, FP 61: 2. Larghetto by Francis Poulenc, Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles DutoitConcerto for 2 Pianos and Orchestra in D minor, FP 61: 2. LarghettoFrancis Poulenc, Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles DutoitG Minor16A101 BPM
Symphony No. 3 in F Major, Op. 90: II. Andante by Johannes Brahms, David ZinmanSymphony No. 3 in F Major, Op. 90: II. AndanteJohannes Brahms, David ZinmanC Major08B73 BPM
Le tombeau de Couperin (version for orchestra): No. 4. Rigaudon by Maurice Ravel, Orchestre National De Lyon, Leonard SlatkinLe tombeau de Couperin (version for orchestra): No. 4. RigaudonMaurice Ravel, Orchestre National De Lyon, Leonard SlatkinB♭ Major36B93 BPM
ISRC
GBDGQ2109803
Label
L-M Records/RCA Records

Section: 0.7712712287902832

End: 0.7768218517303467