Amandus Ivanschitz, Ars Antiqua Austria's 'Sinfonia in A Dur für Violine 1, Violine 2, Basso: Andantino' came out on November 4, 2022. The duration of Sinfonia in A Dur für Violine 1, Violine 2, Basso: Andantino is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Sinfonia in A Dur für Violine 1, Violine 2, Basso: Andantino's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 20 in Chamber Music at the Abbey of Lambach by Amandus Ivanschitz, Ars Antiqua Austria. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, Sinfonia in A Dur für Violine 1, Violine 2, Basso: Andantino's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Sinfonia in A Dur für Violine 1, Violine 2, Basso: Andantino by Amandus Ivanschitz, Ars Antiqua Austria is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in G Minor: Andamento malinconico | Nicola Matteis, Le Consort, Louise Ayrton | F♯ Minor | 1 | 11A | 81 BPM | ||
Sonate, arie et correnti, Op. 3: No. 5, La Bergamasca | Marco Uccellini, Nicholas McGegan, The Arcadian Academy | A♭ Major | 2 | 4B | 80 BPM | ||
Quartet in G Major: I. Adagio | Johann Gottlieb Janitsch, Berlin Baroque Compagney | F♯ Major | 1 | 2B | 76 BPM | ||
Greensleves - Violin and Cello | Duo.Hansen | G Major | 1 | 9B | 77 BPM | ||
Preludio I | Nicola Matteis, Gli Incogniti, Amandine Beyer | A Major | 4 | 11B | 76 BPM | ||
La morte del cor penitente, Pt. 1: Sinfonia | Giovanni Legrenzi, Sonatori de la Gioiosa Marca | C Minor | 1 | 5A | 192 BPM | ||
Sonata sesta in G Major: II. Con Spirito ma non presto | Mrs Philarmonica, Le Consort | F♯ Major | 3 | 2B | 70 BPM | ||
Trio Sonata in C Major, BuxWV 256: V. Adagio - Allegro | Dietrich Buxtehude, Ensemble Mélero | A Major | 3 | 11B | 103 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": V. Air | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 91 BPM | ||
Trios de la chambre du Roi, LWV 35 (Ed. R. Gwilt): No. 47, Chaconne in C Major | Jean-Baptiste Lully, London Baroque | B Major | 3 | 1B | 105 BPM |
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