- BPM
- 79
- Key
- F♯ Minor
- Camelot
- 11A
Suite In G Minor (Suite En Sol Mineur): Sarabande - Marin Marais Information
- Acousticness
- 89%
- Danceability
- 19%
- Energy
- 5%
- Instrumentalness
- 0%
- Liveness
- 11%
- Loudness
- 64%
- Speechiness
- 4%
- Valence
- 13%
- Popularity
- 11%
- Loudness
- -21.374 dB
Summary
"Suite In G Minor (Suite En Sol Mineur): Sarabande" by Marin Marais was released on 1993. The duration of Suite In G Minor (Suite En Sol Mineur): Sarabande is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Suite In G Minor (Suite En Sol Mineur): Sarabande's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 22 in Conversations En Musique: Chamber Music In 18th Century France (Conversations En Musique: Musique De Chambre En France Au XVIIIe Siècle) by Arion Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Suite In G Minor (Suite En Sol Mineur): Sarabande is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Suite In G Minor (Suite En Sol Mineur): Sarabande BPM
The tempo marking of Suite In G Minor (Suite En Sol Mineur): Sarabande by Marin Marais is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Suite In G Minor (Suite En Sol Mineur): Sarabande Key
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Symphony in E Minor, H. 652, Wq. 177: II. Andante moderato | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Georg Kallweit | B♭ Minor | 1 | 3A | 112 BPM | |
 | Viola da Gamba Suite in D Major: II. Allegro | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 1 | 3B | 90 BPM | |
 | Sonata Da Camera No. 9 in A Major, Op. 5: I. Preludio (Largo) | Arcangelo Corelli, Ottavio Dantone, Stefano Montanari | F Minor | 1 | 4A | 81 BPM | |
 | Concerto Grosso in B-Flat Major, Op. 3, No. 4: II. Adagio | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | B♭ Major | 0 | 6B | 117 BPM | |
 | Ariane et Bacchus, Act IV: Prélude et récit. Vous, qui fûtes toujours empressés à me plaire | Marin Marais, Matthieu Lécroart, Le Concert Spirituel, Les Chantres du Centre de Musique Baroque de Versailles, Herve Niquet | E♭ Major | 2 | 5B | 66 BPM | |
 | Alcione - 1Ère Suite - Airs Pour Les Driades Et Les Bergers - Bourée Pour Les Bergers Et Les Bergères | Jordi Savall, Marin Marais | F Major | 0 | 7B | 184 BPM | |
 | Concerto In D Major, Op.26, No.6: 2. Largo | Joseph Bodin de Boismortier, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 1 | 3B | 97 BPM | |
 | Overture in G Minor: VII. Rigaudon | Giuseppe Antonio Brescianello, Cetra Baroque Orchestra Basel, La, David Plantier, Vaclav Luks | F♯ Minor | 2 | 11A | 154 BPM | |
 | Hamburg Symphony No. 6 in E Major, Wq. 182: II. Poco andante | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | |
 | Suitte en Trio No. 3 in E Minor, Op. 1: IV. Gigue | Louis-Antoine Dornel, Musica Barocca | E♭ Minor | 1 | 2A | 57 BPM |
- ISRC
- USA560637709
- Label
- L-M Records/RCA Records
Section: 0.5516917705535889
End: 0.5566165447235107