Frédéric Chopin, Maria João Pires's '24 Préludes, Op. 28: No. 24 in D Minor' came out on January 1, 1994. The duration of 24 Préludes, Op. 28: No. 24 in D Minor is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. 24 Préludes, Op. 28: No. 24 in D Minor's duration is considered a little bit shorter than the average duration of a typical track. The song is number 27 out of 27 in Chopin: Piano Concerto No.2 In F Minor, Op. 21; 24 Preludes, Op. 28 by Frédéric Chopin, Maria João Pires, Royal Philharmonic Orchestra, André Previn. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, 24 Préludes, Op. 28: No. 24 in D Minor is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 24 Préludes, Op. 28: No. 24 in D Minor by Frédéric Chopin, Maria João Pires is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Mélodie" (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | D Minor | 0 | 7A | 128 BPM | ||
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 3 in G Major, Vivace | Bedřich Smetana, Jitka Čechová | G Major | 2 | 9B | 144 BPM | ||
Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM | ||
Miroirs: III. Une barque sur l'océan | Maurice Ravel, André Laplante | D Major | 0 | 10B | 76 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
WHEN THE GRASS WAS GREENER / Nino Rota: Valzer | Nino Rota, Alice Sara Ott | E Major | 1 | 12B | 71 BPM | ||
Prelude in C Major, BWV 846 | Johann Sebastian Bach, Alistair McGowan | C Major | 1 | 8B | 122 BPM |
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