"The Dream of Gerontius, Op. 38, Pt. 2: Thy judgment now is near" by Edward Elgar, Gabrieli, Paul McCreesh, Nicky Spence, Anna Stephany was released on April 26, 2024. The duration of The Dream of Gerontius, Op. 38, Pt. 2: Thy judgment now is near is about 3 minutes long, at 3:08. Based on our data, "The Dream of Gerontius, Op. 38, Pt. 2: Thy judgment now is near" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 11 out of 14 in Elgar: The Dream of Gerontius by Edward Elgar, Nicky Spence, Andrew Foster-Williams, Anna Stephany, Paul McCreesh, Gabrieli. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The Dream of Gerontius, Op. 38, Pt. 2: Thy judgment now is near is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Dream of Gerontius, Op. 38, Pt. 2: Thy judgment now is near by Edward Elgar, Gabrieli, Paul McCreesh, Nicky Spence, Anna Stephany is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Linda di Chamounix, A. 62: Sinfonia | Gaetano Donizetti, Orchestra del Maggio Musicale Fiorentino, Michele Gamba | E Minor | 2 | 9A | 81 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": I. Adagio | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Minor | 0 | 4A | 84 BPM | ||
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | F♯ Major | 0 | 2B | 88 BPM | ||
Kamarinskaya (Air russe varie) | John Field, Miceal O'Rourke | B♭ Major | 1 | 6B | 92 BPM | ||
3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM | ||
Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
Carmen Suite No. 1: 3. Intermezzo | Georges Bizet, Orchestre de Paris, Semyon Bychkov | B♭ Major | 0 | 6B | 74 BPM | ||
Manon Lescaut / Act 2: Intermezzo | Giacomo Puccini, Metropolitan Opera Orchestra, James Levine | E Major | 1 | 12B | 63 BPM |
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