"Symphony No.1 In C Minor, Op.68: 1. Un poco sostenuto - Allegro - Meno allegro" by Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1987. Symphony No.1 In C Minor, Op.68: 1. Un poco sostenuto - Allegro - Meno allegro appears to be safe for all ages as it is not explicit. The song is number 1 out of 4 in Brahms: Symphony No.1 by Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan. In terms of popularity, Symphony No.1 In C Minor, Op.68: 1. Un poco sostenuto - Allegro - Meno allegro is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No.1 In C Minor, Op.68: 1. Un poco sostenuto - Allegro - Meno allegro by Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 in E Minor, Op. 64: III. Valse. Allegro moderato | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Kirill Petrenko | A Major | 0 | 11B | 139 BPM | ||
Die Walküre, WWV 86B, Act I: Their Flight | Richard Wagner, Berliner Philharmoniker, Lorin Maazel | E Minor | 4 | 9A | 101 BPM | ||
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Symphony No. 2: II. Allegro molto | Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra | F Major | 1 | 7B | 146 BPM | ||
Symphony No. 1 in D Major, Op. 25: I. Allegro | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 134 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 0 | 4B | 94 BPM | ||
Symphony No. 4 in E Minor, Op. 98: I. Allegro non troppo | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | B Minor | 1 | 10A | 100 BPM | ||
Piano Concerto No. 1 in D-Flat Major, Op. 10: III. Allegro scherzando | Sergei Prokofiev, Evgeny Kissin, Berliner Philharmoniker, Claudio Abbado | E Major | 3 | 12B | 111 BPM | ||
Symphony No. 5 in C-Sharp Minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt | Gustav Mahler, Berliner Philharmoniker, Gustavo Dudamel | D Major | 2 | 10B | 117 BPM | ||
Flute and Harp Concerto in C, K.299: II. Andantino | Fritz Helmis, Herbert von Karajan, Berliner Philharmoniker, James Galway | C Major | 1 | 8B | 117 BPM |
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