Symphony No. 5 in C-Sharp Minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
Gustav Mahler, Berliner Philharmoniker, Gustavo Dudamel
Mahler: Symphony No. 5
12:40 May 20, 2022
BPM
117
Key
D Major
Camelot
10B

Embed

Share Link

Symphony No. 5 in C-Sharp Minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt - Gustav Mahler, Berliner Philharmoniker, Gustavo Dudamel Information

Acousticness
93%
Danceability
28%
Energy
18%
Instrumentalness
87%
Liveness
15%
Loudness
65%
Speechiness
5%
Valence
22%
Popularity
Loudness
-21.236 dB

Summary

Gustav Mahler, Berliner Philharmoniker, Gustavo Dudamel's 'Symphony No. 5 in C-Sharp Minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt' came out on May 20, 2022. Symphony No. 5 in C-Sharp Minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt appears to be safe for all ages as it is not explicit. The track order of this song in Gustav Mahler, Berliner Philharmoniker, Gustavo Dudamel's "Mahler: Symphony No. 5" album is number 1 out of 5. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Symphony No. 5 in C-Sharp Minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Symphony No. 5 in C-Sharp Minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt BPM

We consider the tempo marking of Symphony No. 5 in C-Sharp Minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt by Gustav Mahler, Berliner Philharmoniker, Gustavo Dudamel to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

Symphony No. 5 in C-Sharp Minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt Key

This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Flute and Harp Concerto in C, K.299: II. Andantino by Fritz Helmis, Herbert von Karajan, Berliner Philharmoniker, James GalwayFlute and Harp Concerto in C, K.299: II. AndantinoFritz Helmis, Herbert von Karajan, Berliner Philharmoniker, James GalwayC Major18B117 BPM
Rachmaninov: Symphonic Dances, Op. 45: III. Lento assai - Allegro vivace by Sergei Rachmaninoff, Sir Simon Rattle, Berliner PhilharmonikerRachmaninov: Symphonic Dances, Op. 45: III. Lento assai - Allegro vivaceSergei Rachmaninoff, Sir Simon Rattle, Berliner PhilharmonikerD Minor17A74 BPM
Pictures at an Exhibition (Orch. Ravel): II. The Old Castle by Modest Mussorgsky, Wiener Philharmoniker, Gustavo DudamelPictures at an Exhibition (Orch. Ravel): II. The Old CastleModest Mussorgsky, Wiener Philharmoniker, Gustavo DudamelA♭ Major04B82 BPM
Swan Lake (Suite), Op. 20a, TH. 219: I. Scene - Swan Theme by Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Mstislav RostropovichSwan Lake (Suite), Op. 20a, TH. 219: I. Scene - Swan ThemePyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Mstislav RostropovichE Minor29A74 BPM
Variations On A Theme By Haydn, Op.56a: Finale: Andante by Johannes Brahms, Berliner Philharmoniker, Herbert von KarajanVariations On A Theme By Haydn, Op.56a: Finale: AndanteJohannes Brahms, Berliner Philharmoniker, Herbert von KarajanB♭ Major16B125 BPM
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: Introduction by Igor Stravinsky, Berliner Philharmoniker, Herbert von KarajanLe Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: IntroductionIgor Stravinsky, Berliner Philharmoniker, Herbert von KarajanG Major09B69 BPM
Variations On An Original Theme, Op.36 Variations On An Original Theme, Op.36 "Enigma": 14. Finale: E.D.U. (Allegro - Presto)Edward Elgar, BBC Symphony Orchestra, Leonard BernsteinG Major29B115 BPM
Symphony No. 9 in C, D.944 - Symphony No. 9 in C, D.944 - "The Great": 4. Allegro vivaceFranz Schubert, Berliner Philharmoniker, Herbert von KarajanB♭ Major16B124 BPM
Violin Concerto in D Minor, Op. 47: II. Adagio di molto by Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André PrevinViolin Concerto in D Minor, Op. 47: II. Adagio di moltoJean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André PrevinB♭ Major16B173 BPM
Don Quixote, Op. 35, TrV 184: I. Introduktion (Mäßiges Zeitmaß) by Richard Strauss, Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von KarajanDon Quixote, Op. 35, TrV 184: I. Introduktion (Mäßiges Zeitmaß)Richard Strauss, Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von KarajanA Major211B129 BPM
ISRC
DESR72036121
Label
L-M Records/RCA Records

Section: 0.6581716537475586

End: 0.6623938083648682