Gustav Mahler, Berliner Philharmoniker, Gustavo Dudamel's 'Symphony No. 5 in C-Sharp Minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt' came out on May 20, 2022. Symphony No. 5 in C-Sharp Minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt appears to be safe for all ages as it is not explicit. The track order of this song in Gustav Mahler, Berliner Philharmoniker, Gustavo Dudamel's "Mahler: Symphony No. 5" album is number 1 out of 5. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Symphony No. 5 in C-Sharp Minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 5 in C-Sharp Minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt by Gustav Mahler, Berliner Philharmoniker, Gustavo Dudamel to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Flute and Harp Concerto in C, K.299: II. Andantino | Fritz Helmis, Herbert von Karajan, Berliner Philharmoniker, James Galway | C Major | 1 | 8B | 117 BPM | ||
Rachmaninov: Symphonic Dances, Op. 45: III. Lento assai - Allegro vivace | Sergei Rachmaninoff, Sir Simon Rattle, Berliner Philharmoniker | D Minor | 1 | 7A | 74 BPM | ||
Pictures at an Exhibition (Orch. Ravel): II. The Old Castle | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A♭ Major | 0 | 4B | 82 BPM | ||
Swan Lake (Suite), Op. 20a, TH. 219: I. Scene - Swan Theme | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Mstislav Rostropovich | E Minor | 2 | 9A | 74 BPM | ||
Variations On A Theme By Haydn, Op.56a: Finale: Andante | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 125 BPM | ||
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: Introduction | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 69 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 14. Finale: E.D.U. (Allegro - Presto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 2 | 9B | 115 BPM | ||
Symphony No. 9 in C, D.944 - "The Great": 4. Allegro vivace | Franz Schubert, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 124 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 173 BPM | ||
Don Quixote, Op. 35, TrV 184: I. Introduktion (Mäßiges Zeitmaß) | Richard Strauss, Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | A Major | 2 | 11B | 129 BPM |
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