Nikolai Kapustin made "Eight Concert Etudes Op. 40 Remembrance" available on 1985. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Nikolai Kapustin's "Kapustin:Eight Concert Etudes" album is number 4 out of 14. On top of that, Japan appears to be the country where this track was created. Eight Concert Etudes Op. 40 Remembrance is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Eight Concert Etudes Op. 40 Remembrance by Nikolai Kapustin to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto No. 2, Op. 14: III. Rondo-toccata | Nikolai Kapustin, Dmitry Masleev, Vladimir Lande, Siberian State Symphony Orchestra | F Minor | 4 | 4A | 72 BPM | ||
24 Préludes, Op. 28: 8. Molto agitato in F-Sharp Minor | Frédéric Chopin, Ivo Pogorelich | F♯ Minor | 1 | 11A | 130 BPM | ||
Etudes-Tableaux, Op. 33, No. 2 in C Major | Hélène Grimaud | F Major | 0 | 7B | 84 BPM | ||
Suite for Piano, Op. 25: VI. Gigue | Arnold Schoenberg, Glenn Gould | F Major | 2 | 7B | 84 BPM | ||
Concerto in E flat "Dumbarton Oaks": 2. Allegretto | Igor Stravinsky, English Chamber Orchestra, Sir Colin Davis | C Minor | 0 | 5A | 100 BPM | ||
Prelude & Fugue: Fugue | Friedrich Gulda, Martin David Jones | B♭ Minor | 1 | 3A | 93 BPM | ||
Forgotten Melodies I, Op. 38: VIII. Alla Reminiscenza | Nikolai Medtner, Geoffrey Tozer | A Minor | 4 | 8A | 164 BPM | ||
Piano Concerto No.1 for piano, trumpet & strings, Op.35: 3. Moderato | Dmitri Shostakovich, Ronald Brautigam, Concertgebouworkest, Riccardo Chailly | A♭ Major | 1 | 4B | 82 BPM | ||
Orphée Suite - 1. The Cafe | Philip Glass | C Minor | 3 | 5A | 171 BPM | ||
24 Preludes & Fugues, Op. 87: Prelude no.2 in A minor. Allegro | Dmitri Shostakovich, Alexander Melnikov | A Minor | 1 | 8A | 80 BPM |
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