"Alleluia. And it Came to Pass" by William Byrd, John Eliot Gardiner, The Monteverdi Choir was released on April 5, 2019. With Alleluia. And it Came to Pass being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner's "Love Is Come Again" album is number 12 out of 21. In terms of popularity, Alleluia. And it Came to Pass is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Alleluia. And it Came to Pass by William Byrd, John Eliot Gardiner, The Monteverdi Choir to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sacred Origins | Ola Gjeilo, Choir of Merton College, Oxford, Benjamin Nicholas | C Major | 1 | 8B | 82 BPM | ||
Se l'ardor foss'equale | Philippe Verdelot, Profeti Della Quinta | A♭ Minor | 1 | 1A | 109 BPM | ||
Die deutsche Liturgie: Heilig, heilig ist Gott, der Herr Zebaoth, WoO 27, MWV B47 | Felix Mendelssohn, Westminster Kantorei, Amanda Quist | D Major | 2 | 10B | 87 BPM | ||
Klusas dziemas (silent songs): I. Nosapi parsapi | Pēteris Vasks, Latvian Radio Choir, Sigvards Kļava | F Minor | 0 | 4A | 129 BPM | ||
Prima die Lectio prima: IV. Beth | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Minor | 0 | 11A | 86 BPM | ||
Le Jeune: Le Printemps: No. 1, Revecy venir du Printans | Claude Le Jeune, Ensemble Gilles Binchois | E♭ Minor | 0 | 2A | 76 BPM | ||
Jephte: Plorate, filii Israel | Giacomo Carissimi, Ängby Chamber Choir, Anders Colldén | F Minor | 1 | 4A | 71 BPM | ||
Requiem aeternam I | Herbert Howells, Conspirare, Craig Hella Johnson | E Minor | 0 | 9A | 80 BPM | ||
Messa della Domenica: IV. Agnus Dei | Giovanni Salvatore, Stirps Jesse Ensemble, Fabio Bonizzoni, Enrico De Capitani | C Major | 1 | 8B | 102 BPM | ||
Singet dem Herrn ein neues Lied, BWV 225: Lobet den Herrn in seinen Taten | Johann Sebastian Bach, The Monteverdi Choir, John Eliot Gardiner | D♭ Major | 1 | 3B | 76 BPM |
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