Richard Wagner, Hans Hotter, Alfons Herwig, Josef Traxel, Ludwig Suthaus, Georgine Von Milinkovic, Gré Brouwenstijn, Gustav Neidlinger, Paul Kuen, Studio Chorus, Studio Orchestra, Hans Knappertsbusch's 'Das Rheingold: Scene 3: Mit arger List (Mime)' came out on May 2, 2012. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Richard Wagner, Hans Knappertsbusch's "Hans Knappertbusch: Richard Wagner's Der Ring Des Nibelungen" album is number 3 out of 205. On top of that, United States appears to be the country where this track was created. Based on our statistics, Das Rheingold: Scene 3: Mit arger List (Mime)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Das Rheingold: Scene 3: Mit arger List (Mime) by Richard Wagner, Hans Hotter, Alfons Herwig, Josef Traxel, Ludwig Suthaus, Georgine Von Milinkovic, Gré Brouwenstijn, Gustav Neidlinger, Paul Kuen, Studio Chorus, Studio Orchestra, Hans Knappertsbusch to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alexander Nevsky, Op. 78: II. Song About Alexander Nevsky | Sergei Prokofiev, London Symphony Orchestra, Claudio Abbado, London Symphony Chorus | B♭ Major | 0 | 6B | 97 BPM | ||
Carmen Suite No. 1: 4. Les dragons d'Alcala | Georges Bizet, Orchestre de Paris, Semyon Bychkov | G Major | 0 | 9B | 117 BPM | ||
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter. Sturm. Allegro - | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | G Major | 0 | 9B | 127 BPM | ||
Il barbiere di Siviglia (the Barber of Seville), Act I: Cavatina. Largo al factotum della citta | Gioachino Rossini, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | C Major | 3 | 8B | 100 BPM | ||
Samson et Dalila - Acte I - Choeur des hébreux : Dieu d'Israël ! Ecoute la prière | Camille Saint-Saëns, Myung-Whun Chung, Orchestre de l'Opéra Bastille | B Major | 2 | 1B | 175 BPM | ||
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": Introduction - Augurs of Spring - Dances of the Young Girls - Ritual of Abduction | Igor Stravinsky, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | A Major | 1 | 11B | 103 BPM | ||
Symphony No. 5 in E Minor, Op. 64: IV. Finale. Andante maestoso – Allegro vivace – Moderato assai e molto maestoso – Presto – Molto meno mosso | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Kirill Petrenko | E Major | 3 | 12B | 141 BPM | ||
Die Walkure, Act III Scene 3: Feuerzauber | Richard Wagner, Budapest Symphony Orchestra, György Lehel | A Major | 1 | 11B | 78 BPM | ||
Grande messe des morts, Op. 5, "Requiem": Lacrimosa | Hector Berlioz, Toby Spence, SWR Vokalensemble Stuttgart, MDR Leipzig Radio Chorus, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington | C Major | 2 | 8B | 128 BPM | ||
Wagner: Tannhäuser, Act 3: "Wie Todesahnung … O du, mein holder Abendstern" (Wolfram) | Richard Wagner, Dietrich Fischer-Dieskau, Orchester Der Staatsoper Berlin, Franz Konwitschny, Staatsopernorchester Berlin | C Minor | 3 | 5A | 133 BPM |
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