"Samson et Dalila - Acte I - Choeur des hébreux : Dieu d'Israël ! Ecoute la prière" by Camille Saint-Saëns, Myung-Whun Chung, Orchestre de l'Opéra Bastille was released on 1992. Samson et Dalila - Acte I - Choeur des hébreux : Dieu d'Israël ! Ecoute la prière is about six minutes long, preciously at 5:39, making this song fairly long compared to other songs. There are a total of 31 in the song's album "Saint-Saëns: Samson et Dalîla". In this album, this song's track order is #1. Furthermore, we believe that the track originated from France. The popularity of Samson et Dalila - Acte I - Choeur des hébreux : Dieu d'Israël ! Ecoute la prière is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Samson et Dalila - Acte I - Choeur des hébreux : Dieu d'Israël ! Ecoute la prière by Camille Saint-Saëns, Myung-Whun Chung, Orchestre de l'Opéra Bastille having a BPM of 175 with a half-time of 88 BPM and a double-time of 350 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Pêcheurs de perles, Act I: Je crois entendre encore (Nadir) | Georges Bizet, Alain Vanzo, Georges Prêtre, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | A Minor | 1 | 8A | 86 BPM | ||
Havanaise, Op. 83 | Camille Saint-Saëns, Howard Zhang, Nicolaus Esterhazy Sinfonia, Takuo Yuasa | E Major | 2 | 12B | 76 BPM | ||
Massenet: Elégie | Jules Massenet, Philippe Jaroussky, Gautier Capuçon, Jerome Ducros | E♭ Minor | 0 | 2A | 83 BPM | ||
Ciganské melodie, Op. 55, B. 104 - Arr. by Jiri Teml: IV. Kdyz mne stara matka | Antonín Dvořák, Anna Netrebko, PKF – Prague Philharmonia, Emmanuel Villaume | G Minor | 2 | 6A | 115 BPM | ||
Samson et Dalila, Op. 47: Act III: Salut! Salut au juge d'Israel... | Camille Saint-Saëns, Hélène Bouvier, Charles Cambon, José Luccioni, Henri Medus, Paul Cabanel, Paris National Opera Chorus, Paris National Opera Orchestra, Louis Fourestier | E♭ Major | 2 | 5B | 113 BPM | ||
Symphony No.3 In E Flat, Op.10, B. 34: 1. Allegro moderato | Antonín Dvořák, Wiener Philharmoniker, Myung-Whun Chung | B♭ Minor | 2 | 3A | 69 BPM | ||
4 Letzte Lieder, TrV 296: No. 2, September | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | F♯ Major | 1 | 2B | 81 BPM | ||
Tannhäuser - Paris version / Act III: O du, mein holder Abendstern | Richard Wagner, Andreas Schmidt, Philharmonia Orchestra, Giuseppe Sinopoli | G Major | 0 | 9B | 71 BPM | ||
Tannhäuser, WWV 70 / Act 2: "Dich, teure Halle, grüß ich wieder" | Richard Wagner, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen | E Minor | 2 | 9A | 169 BPM | ||
Le veau d'or - from Faust | Charles Gounod, Erwin Schrott, Daniele Rustioni | C Minor | 5 | 5A | 121 BPM |
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