Maurice Ravel, André Previn, London Symphony Orchestra made "Ravel: Boléro, M. 81 (Excerpt)" available on June 2, 2008. With this song being about 5 minutes long, at 5:18, "Ravel: Boléro, M. 81 (Excerpt)" by Maurice Ravel, André Previn, London Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 100 Best Ballet, so we believe that "Ravel: Boléro, M. 81 (Excerpt)" is a single. Ravel: Boléro, M. 81 (Excerpt) is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Ravel: Boléro, M. 81 (Excerpt) by Maurice Ravel, André Previn, London Symphony Orchestra is Larghetto (rather broadly), since this song has a tempo of 61 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia on Greensleeves | Ralph Vaughan Williams, Bryden Thomson, London Symphony Orchestra | C Minor | 1 | 5A | 70 BPM | ||
Dukas: L'apprenti sorcier (Excerpt) | Paul Dukas, Oslo Philharmonic Orchestra, Mariss Jansons | D♭ Major | 5 | 3B | 117 BPM | ||
Water Music Suite No. 1 (Excerpts): 3. (Allegro) - Andante - (Allegro) da capo | George Frideric Handel, New York Philharmonic, Pierre Boulez | F Major | 2 | 7B | 122 BPM | ||
Stabat Mater: 5. Quis est homo | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | C Minor | 1 | 5A | 94 BPM | ||
Sympnony No.9 in E minor, Op.95 'From the New World': Largo | Antonín Dvořák, Prague Symphony Orchestra;Libor Pesek | D♭ Major | 0 | 3B | 131 BPM | ||
Monti: Csárdás. Largo maestoso - Allegro vivace (Arr. for Violin and Instrumental Ensemble by Mikhail Parhamovsky) | Vittorio Monti, Maxim Vengerov, Vag Papian, Virtuosi, Mikhail Parhamovsky | D Minor | 2 | 7A | 101 BPM | ||
Rachmaninov: Piano Concerto No. 3 in D Minor, Op. 30: III. Finale. Alla breve | Sergei Rachmaninoff, Leif Ove Andsnes, London Symphony Orchestra, Antonio Pappano | G Minor | 2 | 6A | 96 BPM | ||
Saint-Saëns: Samson et Dalila, Op. 47, Act II, Scene 3: Air. "Mon cœur s'ouvre à ta voix" (Dalila, Samson) | Camille Saint-Saëns, Sir Colin Davis, José Cura, Olga Borodina, London Symphony Orchestra | A♭ Major | 0 | 4B | 181 BPM | ||
Concerto For Violin And Strings In E, Op. 8, No. 1, R.269 "La Primavera": 1. Allegro | Antonio Vivaldi, Michel Schwalbé, Eberhard Finke, Horst Gobel, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 101 BPM | ||
Act 1: XIII. Dance of the Knights | Sergei Prokofiev, Vasily Petrenko, Oslo Philharmonic Orchestra | C Major | 0 | 8B | 104 BPM |
Section: 0.8151006698608398
End: 0.8375799655914307