Kurt Weill, Arthur Fiedler made "Mack the Knife (from "Threepenny Opera")" available on July 13, 1993. The duration of Mack the Knife (from "Threepenny Opera") is about 3 minutes long, at 3:08. Based on our data, "Mack the Knife (from "Threepenny Opera")" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 11 in Broadway's Greatest Hits by The Boston Pops Orchestra & Arthur Fiedler. Mack the Knife (from "Threepenny Opera") is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Mack the Knife (from "Threepenny Opera") by Kurt Weill, Arthur Fiedler is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vocalise, Op. 34, No. 14 - Remastered | Sergei Rachmaninoff, Anna Moffo, Leopold Stokowski, American Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
Kleine Dreigroschenmusik: VIII. Dreigroschen-Finale | Kurt Weill, Munich Radio Orchestra, Gerd Müller-Lorenz | C Major | 0 | 8B | 75 BPM | ||
Die tote Stadt / Act 1: Glück, das mir verblieb (Mariettalied) | Erich Wolfgang Korngold, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | B♭ Major | 1 | 6B | 88 BPM | ||
Puccini: La bohème, Act 1: "Sì. mi chiamano Mimì" (Mimì/Rodolfo) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | D Major | 1 | 10B | 78 BPM | ||
Life and Works: Rusalka (Act I: Song to the Moon) | Sean Barrett | F♯ Major | 0 | 2B | 126 BPM | ||
Die Dreigroschenoper: Akt I, Kanonensong ("John war darunter und Jim war dabei") | Kurt Weill, Erich Schellow, Wolfgang Neuss, Wolfgang Grunert, Wilhelm Brückner-Rüggeberg | D♭ Minor | 3 | 12A | 100 BPM | ||
L’opéra de quat'sous, Act I: Rien à faire ! | Kurt Weill, Le Balcon, Maxime Pascal, Véronique Vella, Christian Hecq | F Major | 1 | 7B | 110 BPM | ||
Die Dreigroschenoper: Akt I, Die Moritat von Mackie Messer ("Und der Haifisch, der hat Zähne") | Kurt Weill, Wolfgang Neuss, Wilhelm Brückner-Rüggeberg | G Major | 1 | 9B | 82 BPM | ||
Petite messe solennelle: Kyrie | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone | C Major | 0 | 8B | 120 BPM | ||
Poème de Paul Verlaine: L'heure exquise | Reynaldo Hahn, Marie-Nicole Lemieux | B Major | 0 | 1B | 94 BPM |
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