On March 15, 2024, the song "Concert Royal No. 1 in G (Version for 2 Harpsichords): V. Gavotte" was released by François Couperin, Pierre Gallon, Matthieu Boutineau. With Concert Royal No. 1 in G (Version for 2 Harpsichords): V. Gavotte being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 5 out of 26 in Couperin: Concerts Royaux by François Couperin, Pierre Gallon, Matthieu Boutineau. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Concert Royal No. 1 in G (Version for 2 Harpsichords): V. Gavotte's popularity is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Concert Royal No. 1 in G (Version for 2 Harpsichords): V. Gavotte by François Couperin, Pierre Gallon, Matthieu Boutineau is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Khachaturian: Children's Album, Book I, Op. 62: No. 1, Andantino | Aram Khachaturian, Alexandre Tharaud | A♭ Major | 0 | 4B | 90 BPM | ||
Alcidiane: Petite Chaconne | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | B Major | 0 | 1B | 150 BPM | ||
Concerts Royaux, Premier Concert: I. Prélude. Gravement | François Couperin, Christophe Rousset, Les Talens Lyriques, Atsushi Sakai, Patrick Beaugiraud, Georges Barthel, Stéphanie-Marie Degand | E Minor | 5 | 9A | 96 BPM | ||
La Couperin (21e ordre) | François Couperin, Alexandre Tharaud | E Minor | 1 | 9A | 118 BPM | ||
Cello Concerto No. 1 In C Major, G. 477: II. Largo | Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini | F Major | 0 | 7B | 70 BPM | ||
Rondo Capriccioso In e Minor Opus 14 | Felix Mendelssohn, Bertrand Chamayou | E Major | 1 | 12B | 182 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Couperin: Troisième Livre de pièces de clavecin, Quinzième Ordre: V. Muséte de Taverni | François Couperin, Olivier Baumont | G Major | 4 | 9B | 82 BPM | ||
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | ||
Pièces de viole, Livre 2 - Suite No. 3 in D Major: No. 63. Les Voix Humaines (Lentement) | Marin Marais, Philippe Pierlot | D♭ Major | 0 | 3B | 77 BPM |
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