François Couperin, Christophe Rousset, Les Talens Lyriques, Atsushi Sakai, Patrick Beaugiraud, Georges Barthel, Stéphanie-Marie Degand made "Concerts Royaux, Premier Concert: I. Prélude. Gravement" available on March 15, 2019. The duration of Concerts Royaux, Premier Concert: I. Prélude. Gravement is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Concerts Royaux, Premier Concert: I. Prélude. Gravement's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 25 in François Couperin: Concerts Royaux by François Couperin, Christophe Rousset, Les Talens Lyriques. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Concerts Royaux, Premier Concert: I. Prélude. Gravement is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Concerts Royaux, Premier Concert: I. Prélude. Gravement by François Couperin, Christophe Rousset, Les Talens Lyriques, Atsushi Sakai, Patrick Beaugiraud, Georges Barthel, Stéphanie-Marie Degand is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Troisième livre de pièces de clavecin: 6ème ordre, Les barricades mystérieuses - Adapted by Marina Baranova | François Couperin, Marina Baranova | G Minor | 2 | 6A | 192 BPM | ||
Les Nations - Second Ordre - L'Espagnole; 6. Gigue Lourée | Jordi Savall, François Couperin | B Minor | 2 | 10A | 80 BPM | ||
Violin Sonata in B-Flat Major, Op. 5 No. 2: III. Vivace | Arcangelo Corelli, Lina Tur Bonet, Musica Alchemica | A♭ Major | 3 | 4B | 83 BPM | ||
Pièces de clavecin, Book 1, 5th Ordre: Pieces de clavecin, Book 1: 5th Ordre in A Major-minor: La Tendre Fanchon (arr. I. Friedman for piano) | Ignaz Friedman, François Couperin, Joseph Banowetz | A Minor | 0 | 8A | 84 BPM | ||
Schumann: 12 Gedichte aus Liebesfrühling, Op. 37: No. 4: Liebst du um Schönheit | Clara Schumann, Anneleen Lenaerts, Dionysis Grammenos | D♭ Major | 0 | 3B | 91 BPM | ||
Nocturne in B Flat Major, H. 37 (Version for Harp) | John Field, Magdalena Hoffmann | B♭ Major | 1 | 6B | 97 BPM | ||
6 Chorale Preludes, BV B 50: Herzlich tut mich verlangen, Op. 122/10 | Johannes Brahms, Ferruccio Busoni, Igor Levit | A Minor | 0 | 8A | 84 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 5 in F Major: No. 5, Muséte | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM |
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