- BPM
- 105
- Key
- D♭ Major
- Camelot
- 3B
Daphnis et Chloé, M. 57 / Première partie: Scène - Les jeunes filles dansent - Vif, Pt. 1 - Maurice Ravel, Boston Symphony Orchestra, Seiji Ozawa Information
- Acousticness
- 94%
- Danceability
- 46%
- Energy
- 16%
- Instrumentalness
- 97%
- Liveness
- 9%
- Loudness
- 56%
- Speechiness
- 4%
- Valence
- 53%
- Popularity
- 1%
- Loudness
- -26.631 dB
Summary
Maurice Ravel, Boston Symphony Orchestra, Seiji Ozawa made "Daphnis et Chloé, M. 57 / Première partie: Scène - Les jeunes filles dansent - Vif, Pt. 1" available on May 16, 2020. With Daphnis et Chloé, M. 57 / Première partie: Scène - Les jeunes filles dansent - Vif, Pt. 1 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 96 in the song's album "Romantic Vol.2". In this album, this song's track order is #2. In terms of popularity, Daphnis et Chloé, M. 57 / Première partie: Scène - Les jeunes filles dansent - Vif, Pt. 1 is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Daphnis et Chloé, M. 57 / Première partie: Scène - Les jeunes filles dansent - Vif, Pt. 1 BPM
With Daphnis et Chloé, M. 57 / Première partie: Scène - Les jeunes filles dansent - Vif, Pt. 1 by Maurice Ravel, Boston Symphony Orchestra, Seiji Ozawa having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Daphnis et Chloé, M. 57 / Première partie: Scène - Les jeunes filles dansent - Vif, Pt. 1 Key
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Orfeo ed Euridice: Melody (arr. G. Sgambati) | Giovanni Sgambati, Christoph Willibald Gluck, Jura Margulis | D Minor | 0 | 7A | 71 BPM | |
 | Over the Mountains High (arr. J. Lloyd Webber for cello and piano) | Frederick Delius, Julian Lloyd Webber, John Lenehan | C Major | 0 | 8B | 71 BPM | |
 | Serenade in C Major, Op. 48: III. Elegie | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | D Major | 1 | 10B | 89 BPM | |
 | The Lark | Evgeny Kissin | C Minor | 0 | 5A | 69 BPM | |
 | Lullaby, Op. 57 No. 2 (Arr. for Cello & Piano) | Cyril Scott, Richard Jenkinson, Benjamin Frith | D Major | 0 | 10B | 91 BPM | |
 | Sonatine: I. Modere | Maurice Ravel, François-Joël Thiollier | A Major | 0 | 11B | 71 BPM | |
 | 3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | |
 | 4 Impromptus, D. 899, Op. 90: No. 3 in G-Flat Major | Franz Schubert, Murray Perahia | C Minor | 5 | 5A | 150 BPM | |
 | Prelude In D Major, BWV 925 : Prelude In D Major, BWV 925 | Janos Sebestyen, Johann Sebastian Bach | D Major | 3 | 10B | 139 BPM | |
 | Raymonda, Op. 57: Act III - Variation IV | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D Minor | 0 | 7A | 90 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.9165158271789551
End: 0.920881986618042