Igor Stravinsky, Teresa Berganza, London Symphony Orchestra, Claudio Abbado's 'Pulcinella - Revised Version of 1947: 7. Allegretto "Contento forse vivere"' came out on January 1, 2005. The duration of Pulcinella - Revised Version of 1947: 7. Allegretto "Contento forse vivere" is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Pulcinella - Revised Version of 1947: 7. Allegretto "Contento forse vivere"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 105 in Brava Berganza by Teresa Berganza. Based on our statistics, Pulcinella - Revised Version of 1947: 7. Allegretto "Contento forse vivere"'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Pulcinella - Revised Version of 1947: 7. Allegretto "Contento forse vivere" by Igor Stravinsky, Teresa Berganza, London Symphony Orchestra, Claudio Abbado is Allegro (fast, quick, and bright), since this song has a tempo of 143 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures at an Exhibition (Orch. Ravel): VII. The Market at Limoges | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Major | 3 | 5B | 123 BPM | ||
Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): (English horn) | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | E Major | 0 | 12B | 112 BPM | ||
String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM | ||
Concerto for Organ, Strings and Percussion in G minor, FP 93: Allegro giocoso | Francis Poulenc, Peter Hurford, Philharmonia Orchestra, Charles Dutoit | D Major | 1 | 10B | 110 BPM | ||
Le baiser de la fee: Divertimento (arr. S. Dushkin for violin and piano): IV. Pas de deux: Adagio | Samuel Dushkin, Igor Stravinsky, Jennifer Frautschi, Marta Aznavoorian | C Minor | 1 | 5A | 85 BPM | ||
Tahiti Trot | Vincent Youmans, Concertgebouworkest, Riccardo Chailly | A♭ Major | 1 | 4B | 85 BPM | ||
Music for Strings, Percussion and Celesta, BB 114: III. Adagio | Béla Bartók, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | D Major | 1 | 10B | 73 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von den Hinterweltlern | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 78 BPM | ||
Clarinet Concerto in C Minor, Op. 31: I. Allegro vigoroso | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | A♭ Major | 1 | 4B | 79 BPM | ||
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": Introduction - Augurs of Spring - Dances of the Young Girls - Ritual of Abduction | Igor Stravinsky, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | A Major | 1 | 11B | 103 BPM |
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