Samuel Dushkin, Igor Stravinsky, Jennifer Frautschi, Marta Aznavoorian's 'Le baiser de la fee: Divertimento (arr. S. Dushkin for violin and piano): IV. Pas de deux: Adagio' came out on January 1, 2000. The duration of Le baiser de la fee: Divertimento (arr. S. Dushkin for violin and piano): IV. Pas de deux: Adagio is about 3 minutes long, at 3:16. Based on our data, "Le baiser de la fee: Divertimento (arr. S. Dushkin for violin and piano): IV. Pas de deux: Adagio" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Stravinsky, I.: Duo Concertante / Ravel, M.: Violin Sonata". In this album, this song's track order is #9. Le baiser de la fee: Divertimento (arr. S. Dushkin for violin and piano): IV. Pas de deux: Adagio is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Le baiser de la fee: Divertimento (arr. S. Dushkin for violin and piano): IV. Pas de deux: Adagio by Samuel Dushkin, Igor Stravinsky, Jennifer Frautschi, Marta Aznavoorian having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cantabile in D Major, Op. 17 | Niccolò Paganini, 東 亮汰, 髙木竜馬 | G Minor | 1 | 6A | 90 BPM | ||
Violin Concerto No. 1: I. Moderato | John Williams, James Ehnes, St. Louis Symphony, Stéphane Denève | G Major | 1 | 9B | 122 BPM | ||
Violin Concerto No. 1 in D Major, Op. 19: I. Andantino | Sergei Prokofiev, Janine Jansen, Oslo Philharmonic Orchestra, Klaus Mäkelä | G Major | 2 | 9B | 90 BPM | ||
Violin Sonata No. 2 in G Major, M. 77: III. Perpetuum mobile. Allegro | Maurice Ravel, Alina Ibragimova, Cédric Tiberghien | D Major | 2 | 10B | 163 BPM | ||
D’un cahier d’esquisses, L.112 (Arr. For Cello And Piano By Olivier Hébert-Bouchard) | Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard | A♭ Major | 0 | 4B | 170 BPM | ||
Pastorale, Menuet triste et Nocturne: Pastorale | George Enescu, Ralph Evans, Gisele Witkowski, Fabio Witkowski | A Major | 1 | 11B | 153 BPM | ||
Nocturne No. 8 in A Major, H. 46 | John Field, Michael Collins, Michael McHale | A Major | 0 | 11B | 74 BPM | ||
Fugitive Visions of Mozart: III. Allegro | Valentin Silvestrov, Johannes Moser, Vadim Gluzman, Andreï Korobeinikov | G Major | 0 | 9B | 65 BPM | ||
5 Songs, Op. 70 (Transcr. D. Müller-Schott for Cello & Piano): No. 2, Jeg lever et liv i længsel. Allegro molto agitato | Edvard Grieg, Daniel Müller-Schott, Herbert Schuch | C Minor | 0 | 5A | 75 BPM | ||
タイスの瞑想曲~歌劇「タイス」より | ロラン・ドガレイユ | D Major | 1 | 10B | 174 BPM |
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