"Cantata "Christ lag in Todesbanden", BWV 4: 2. Versus 2: Duetto (Soprano, Alto)" by Johann Sebastian Bach, The Hilliard Ensemble, Munich Chamber Orchestra, Christoph Poppen was released on March 31, 2003. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Ricercar". In this album, this song's track order is #4. Cantata "Christ lag in Todesbanden", BWV 4: 2. Versus 2: Duetto (Soprano, Alto) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cantata "Christ lag in Todesbanden", BWV 4: 2. Versus 2: Duetto (Soprano, Alto) by Johann Sebastian Bach, The Hilliard Ensemble, Munich Chamber Orchestra, Christoph Poppen having a BPM of 58 with a half-time of 29 BPM and a double-time of 116 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Salve Regina (Motetti a una, due vocie con sinfonie d'istromenti, Libro primo, 1621, A. Vincenti, Venezia) | Philippe Jaroussky, Ensemble Artaserse | G Minor | 1 | 6A | 75 BPM | ||
Allegri: Miserere - 01. Miserere Mei, Deus | The Tallis Scholars, Peter Phillips | B♭ Major | 1 | 6B | 135 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad pedes: Concerto "Ecce super montes pedes evangelizantis" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | F Minor | 2 | 4A | 131 BPM | ||
Settimo Libro de Madrigali: Non vedrò mai le stelle | Ensemble Concerto, Cappella Mauriziana | A Minor | 1 | 8A | 123 BPM | ||
Mass in B Minor, BWV 232 / Kyrie: II. Christe eleison | Johann Sebastian Bach, Barbara Bonney, Angelika Kirchschlager, Saito Kinen Orchestra, Seiji Ozawa | D Major | 1 | 10B | 136 BPM | ||
Serse: Aria "Ombra mai fù" (Atto I, scena 1) | George Frideric Handel, Akademie für Alte Musik Berlin, Andreas Scholl | E Major | 1 | 12B | 107 BPM | ||
All'imperio d'Amore: 5. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | B♭ Major | 2 | 6B | 113 BPM | ||
Bach, JS: Mass in B Minor, BWV 232: Qui tollis peccata mundi | Johann Sebastian Bach, Nikolaus Harnoncourt, Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien | B♭ Minor | 1 | 3A | 81 BPM | ||
Al dolce soun | Orlande de Lassus, Orland di Lasso, Alsfelder Vocal Ensemble, Wolfgang Helbich | A♭ Major | 1 | 4B | 81 BPM | ||
II. Lobe Den Herrn, Meine Seele BWV 143, For New Year's Day, Am Neujahrstag: Coro, Lobe Den Herrn, Meine Seele | Pieter Jan Leusink, Ruth Holton, Teunis van der Zwart, Nico Van Der Meel, Louis Van Emmerik, Johann Sebastian Bach, Bas Ramselaar, Sytse Buwalda, Frank Aarnink, Helen Macdougall, Amsterdam Classics B.V., Jean Van Vugt, Erwin Wieringa, Holland Boys Choir, Netherlands Bach Collegium | B Major | 1 | 1B | 129 BPM |
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