Delibes: Coppélia ou la fille aux yeux d'émail (Ballet), Act 2: No. 11, (a) Musique des automates (Allegro) - Léo Delibes, Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris Information

Acousticness: 68%
Danceability: 52%
Energy: 45%
Instrumentalness: 29%
Liveness: 19%
Loudness: 72%
Speechiness: 4%
Valence: 79%
Popularity: 7%
Loudness: -16.618 dB

Summary

Léo Delibes, Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris made "Delibes: Coppélia ou la fille aux yeux d'émail (Ballet), Act 2: No. 11, (a) Musique des automates (Allegro)" available on November 9, 2009. With Delibes: Coppélia ou la fille aux yeux d'émail (Ballet), Act 2: No. 11, (a) Musique des automates (Allegro) being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 14 out of 51 in Delibes: Coppélia by Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris. Based on our statistics, Delibes: Coppélia ou la fille aux yeux d'émail (Ballet), Act 2: No. 11, (a) Musique des automates (Allegro)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Delibes: Coppélia ou la fille aux yeux d'émail (Ballet), Act 2: No. 11, (a) Musique des automates (Allegro) BPM

The tempo marking of Delibes: Coppélia ou la fille aux yeux d'émail (Ballet), Act 2: No. 11, (a) Musique des automates (Allegro) by Léo Delibes, Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Delibes: Coppélia ou la fille aux yeux d'émail (Ballet), Act 2: No. 11, (a) Musique des automates (Allegro) Key

This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

Recommendations

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King Arthur, Z. 628, "The British Worthy": Air	Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett	D♭ Minor	0	12A	114 BPM
Coppelia: Act I - Valse	Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia	E♭ Major	0	5B	89 BPM
Serenade No. 2 in A Major, Op. 16: 2. Scherzo. Vivace	Johannes Brahms, Royal Concertgebouw Orchestra, Bernard Haitink	A Major	1	11B	179 BPM
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : I. Allegro	Cologne Chamber Orchestra, Renee Ohldin, Corinne Chapelle, Christine Pichlmeier, Lucas Barr, Antonio Vivaldi	B Minor	3	10A	118 BPM
Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro	Camille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles Dutoit	G Major	3	9B	150 BPM
Jazz Suite No. 1: II. Polka	Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky	C Major	2	8B	134 BPM
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. Allegro	Cologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio Vivaldi	B Minor	3	10A	123 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6235580444335938

End: 0.6271882057189941