Ellen Taaffe Zwilich, Kalichstein-Laredo-Robinson Trio, Michael Tree, Harold Robinson's 'Quintet for Violin, Viola, Cello, Contrabass & Piano: III. Quarter note = 120' came out on April 1, 2014. Quintet for Violin, Viola, Cello, Contrabass & Piano: III. Quarter note = 120 is about six minutes long, preciously at 6:19, making this song fairly long compared to other songs. There are a total of 10 in the song's album "Passionate Diversions: A Celebration of Ellen Taaffe Zwilich". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Quintet for Violin, Viola, Cello, Contrabass & Piano: III. Quarter note = 120 is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Quintet for Violin, Viola, Cello, Contrabass & Piano: III. Quarter note = 120 by Ellen Taaffe Zwilich, Kalichstein-Laredo-Robinson Trio, Michael Tree, Harold Robinson having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade: IV. Agathon. Adagio | Leonard Bernstein, James Ehnes, St. Louis Symphony, Stéphane Denève | G Major | 2 | 9B | 83 BPM | ||
Copland: Suite from Appalachian Spring: III. The Bride and Her Intendend. Moderato (1945 Version) | Aaron Copland, Minnesota Orchestra, Sir Neville Marriner | B♭ Major | 1 | 6B | 61 BPM | ||
Coastal Command Suite: Taking Off At Night | RTE Concert Orchestra, Ralph Vaughan Williams | B♭ Major | 0 | 6B | 138 BPM | ||
Karelia Suite, Op. 11: II. Ballade. Tempo di Menuetto | Jean Sibelius, Helsinki Philharmonic Orchestra, Susanna Mälkki | C Minor | 2 | 5A | 144 BPM | ||
Collage über B-A-C-H: I. Toccata | Arvo Pärt, Amsterdam Sinfonietta, Candida Thompson | B♭ Major | 2 | 6B | 124 BPM | ||
Orff: Carmina Burana, Pt. 1, Uf dem Anger: Tanz | Carl Orff, Agnes Giebel/Paul Kuen/Marcel Cordes/Chor des Westdeutschen Rundfunks/Children's Choir/Kölner Rundfunk-Sinfonie-Orchester/Wolfgang Sawallisch, Wolfgang Sawallisch, Kölner Rundfunk-Sinfonie-Orchester | C Minor | 5 | 5A | 109 BPM | ||
Anyone There? (From “the London Ripper”) | Swen Fettermann | B♭ Major | 1 | 6B | 66 BPM | ||
Trumpet Concerto, Op. 18: III. Rondo. Allegro scherzando | Oskar Böhme, Matthias Höfs, Tarmo Peltokoski, Deutsche Kammerphilharmonie Bremen | E♭ Major | 1 | 5B | 89 BPM | ||
Album for the Young, Op. 140: No. 18 Serenade in Bb | The Gerst Ensemble | A Major | 2 | 11B | 107 BPM | ||
Sun | Sanseti Sabaru | A Minor | 0 | 8A | 111 BPM |
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