"La Damnation de Faust, Op.24 / Part 3: Merci, doux crépuscule!" by Hector Berlioz, Roberto Alagna, Bertrand de Billy, Orchestra of the Royal Opera House, Covent Garden was released on January 1, 2006. With this song being about 5 minutes long, at 5:25, "La Damnation de Faust, Op.24 / Part 3: Merci, doux crépuscule!" by Hector Berlioz, Roberto Alagna, Bertrand de Billy, Orchestra of the Royal Opera House, Covent Garden is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Viva Opéra ! by Roberto Alagna. The song's track number on the album is #8 out of 37 tracks. La Damnation de Faust, Op.24 / Part 3: Merci, doux crépuscule! is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since La Damnation de Faust, Op.24 / Part 3: Merci, doux crépuscule! by Hector Berlioz, Roberto Alagna, Bertrand de Billy, Orchestra of the Royal Opera House, Covent Garden has a tempo of 77 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With La Damnation de Faust, Op.24 / Part 3: Merci, doux crépuscule! being at 77 BPM, the half-time would be 38 BPM with a double-time of 154 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Holberg Suite, Op.40: 2. Sarabande (Andante) | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 85 BPM | ||
Piano Concerto in A Minor, Op. 16: III. Allegro moderato molto e marcato - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | F Major | 1 | 7B | 119 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: I. Allegro moderato | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | E♭ Major | 2 | 5B | 99 BPM | ||
Holberg Suite, Op. 40: 3. Gavotte (Allegretto) - Musette (poco più mosso) - Gavotte | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 78 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 1. Allegro non troppo | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Minor | 1 | 7A | 75 BPM | ||
Holberg Suite, Op.40: 5. Rigaudon (Allegro con brio) | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 128 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B♭ Major | 0 | 6B | 82 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance III | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 74 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Introduction | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | G Minor | 0 | 6A | 85 BPM | ||
Scheherazade: Calm at Sea | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 2 | 12B | 84 BPM |
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