Bach, JS: Guitar Suite in E Major, BWV 1006a: V. Bourrée - Johann Sebastian Bach, Julian Bream Information

Acousticness: 94%
Danceability: 40%
Energy: 23%
Instrumentalness: 96%
Liveness: 14%
Loudness: 61%
Speechiness: 4%
Valence: 96%
Popularity: 14%
Loudness: -23.461 dB

Summary

On June 1, 1994, the song "Bach, JS: Guitar Suite in E Major, BWV 1006a: V. Bourrée" was released by Johann Sebastian Bach, Julian Bream. The duration of Bach, JS: Guitar Suite in E Major, BWV 1006a: V. Bourrée is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Bach, JS: Guitar Suite in E Major, BWV 1006a: V. Bourrée's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Julian Bream's "J. S. Bach: Lute works" album is number 15 out of 16. Bach, JS: Guitar Suite in E Major, BWV 1006a: V. Bourrée is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Bach, JS: Guitar Suite in E Major, BWV 1006a: V. Bourrée BPM

We consider the tempo marking of Bach, JS: Guitar Suite in E Major, BWV 1006a: V. Bourrée by Johann Sebastian Bach, Julian Bream to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Bach, JS: Guitar Suite in E Major, BWV 1006a: V. Bourrée Key

This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
The Wounded Heart, Op. 34, No. 1 (From "Elegiac Melodies")	Edvard Grieg, Yo-Yo Ma, Kathryn Stott	G Major	1	9B	81 BPM
Symphony No.4 in D Minor, Op.12 No.4, G.506: 2. Andantino con moto I	Luigi Boccherini, Per Egland, Christian Lindberg, MIN Ensemble	C Minor	1	5A	97 BPM
Concerto for 2 Mandolins, Strings and Continuo in G Major, RV. 532: I. Allegro	Antonio Vivaldi, James Tyler, Robin Jeffrey, The English Concert, Trevor Pinnock	A♭ Minor	3	1A	80 BPM
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato)	Max Bruch, Julia Fischer, Tonhalle Orchester Zürich, David Zinman	E♭ Major	1	5B	170 BPM
Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto	Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis	D Minor	2	7A	145 BPM
Keyboard Suite No. 5 in E Major, HWV 430: IV. Air and Doubles ("Harmonious Blacksmith")	George Frideric Handel, Philip Edward Fisher	E Major	1	12B	126 BPM
Nocturne No. 1 in E Flat Major, H.24	John Field, Elizabeth Joy Roe	E♭ Major	0	5B	75 BPM
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski)	George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier	C Major	0	8B	92 BPM
The Four Seasons - Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": II. Largo e pianissimo sempre	Antonio Vivaldi, Joshua Bell, Academy of St. Martin in the Fields	D♭ Minor	1	12A	176 BPM
Nocturne No.14 In F Sharp Minor, Op.48 No.2	Frédéric Chopin, Maurizio Pollini	D♭ Major	0	3B	75 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6079139709472656

End: 0.6114864349365234