George Gershwin, Michael Tilson Thomas, Paige O'Hara, David Garrison made "Let 'Em Eat Cake: First Lady and First Gent" available on 1976. With Let 'Em Eat Cake: First Lady and First Gent being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Gershwin, Michael Tilson Thomas's "Michael Tilson Thomas Conducts Gershwin" album is number 27 out of 90. In terms of popularity, Let 'Em Eat Cake: First Lady and First Gent is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Let 'Em Eat Cake: First Lady and First Gent by George Gershwin, Michael Tilson Thomas, Paige O'Hara, David Garrison to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
Morceaux de fantaisie, Op. 3: 5 Morceaux de fantasie, Op. 3: No. 2. Prelude in C-Sharp Minor | Sergei Rachmaninoff, Eldar Nebolsin | A Major | 1 | 11B | 91 BPM | ||
Slavonic Dance No. 2 in E minor, Op. 72 | Boston Symphony Orchestra, Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | E Minor | 1 | 9A | 70 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Gershwin: George Gershwin's Songbook: IV. Fascinating Rhythm | George Gershwin, Yehudi Menuhin, Stéphane Grappelli, Max Harris | G Major | 3 | 9B | 110 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Andrew Davis, BBC Philharmonic, Tasmin Little | E Major | 0 | 12B | 80 BPM | ||
Prélude à l’après-midi d’un faune | Claude Debussy, Philippe Bernold, Ariane Jacob, Gérard Caussé, Isabelle Moretti | B Major | 0 | 1B | 70 BPM | ||
Pictures At An Exhibition: Promenade | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | A♭ Major | 0 | 4B | 87 BPM | ||
The Well-Tempered Clavier, Book 1, Prelude & Fugue No. 1 in C Major, BWV 846: I. Prelude | Johann Sebastian Bach, Sviatoslav Richter | C Major | 0 | 8B | 72 BPM | ||
Six Piano Pieces, Op. 118: Intermezzo in A Major, Op. 118, No. 2 | Johannes Brahms, Murray Perahia | A Major | 0 | 11B | 111 BPM |
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