"Lute Concerto in B-Flat Major: II. Largo" by Karl Kohaut, John Schneiderman, Elizabeth Blumenstock, Lisa Weiss, William Skeen had its release date on January 1, 2005. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Karl Kohaut's "Kohaut: Lute Concertos" album is number 15 out of 19. On top of that, Germany appears to be the country where this track was created. The popularity of Lute Concerto in B-Flat Major: II. Largo is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Lute Concerto in B-Flat Major: II. Largo by Karl Kohaut, John Schneiderman, Elizabeth Blumenstock, Lisa Weiss, William Skeen to be Presto (very, very fast) because the track has a tempo of 180 BPM, a half-time of 90BPM, and a double-time of 360 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Baryton Trio in G Major, Hob. XI:67: III. Finale. Allegro di molto | Joseph Haydn, Valencia Baryton Project | F♯ Major | 2 | 2B | 143 BPM | ||
Violin Sonata in B-Flat Major, Op. 5 No. 2 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): II. Allegro | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | E Minor | 1 | 9A | 86 BPM | ||
Fauré: Impromptu, Op. 86 | Gabriel Fauré, Markus Klinko | D♭ Major | 1 | 3B | 107 BPM | ||
Harpsichord Concerto in A Major: III. Giga: Allegro | Carlos Seixas, Janos Sebestyen, Franz Liszt Chamber Orchestra, János Rolla | A Major | 3 | 11B | 106 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 4, Le je-ne-scay-quoy | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Sinfonia in F Minor: III. Finale/Furioso | Karl Kohaut, Ars Antiqua Austria | D Minor | 0 | 7A | 59 BPM | ||
Airs for the Spring: Ranunculus: III. Tempo di minuetto | James Oswald, The Broadside Band | A Major | 2 | 11B | 120 BPM | ||
Scylla et Glaucus, Op. 11: Prologue. Air gracieux pour les Peuples d’Amathonte | Jean-Marie Leclair, d’Albaret, Orfeo Orchestra, Gyorgy Vashegyi | A♭ Minor | 0 | 1A | 133 BPM | ||
Sinfonia No. 9 in G Minor, RosS 533.9: II. Adagio | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | F♯ Minor | 0 | 11A | 131 BPM | ||
Airs for the Winter: Golden Rod: III. Tempo di minuetto: Allegro | James Oswald, The Broadside Band | A Major | 2 | 11B | 76 BPM |