"Sinfonia in F Minor: III. Finale/Furioso" by Karl Kohaut, Ars Antiqua Austria had its release date on October 30, 2009. The duration of This song is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Sinfonia in F Minor: III. Finale/Furioso's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Karl Kohaut, Gunar Letzbor, Jan Krigovsky, Hubert Hoffmann, Ars Antiqua Austria's "Karl Kohaut - Haydn's Lute Player" album is number 16 out of 16. On top of that, Netherlands appears to be the country where this track was created. Sinfonia in F Minor: III. Finale/Furioso is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sinfonia in F Minor: III. Finale/Furioso by Karl Kohaut, Ars Antiqua Austria to be Lento (slowly) because the track has a tempo of 59 BPM, a half-time of 30BPM, and a double-time of 118 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerts royaux, Concerto No. 2 in D Major: I. Prélude | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | F Minor | 0 | 4A | 101 BPM | ||
Marais: Pièces en trio: Suite No. 1 en do majeur: III. Seconde sarabande | Marin Marais, Ensemble Amalia | B Major | 0 | 1B | 70 BPM | ||
Concerto in G Major, Arias from Cantatas BWV 215 and 32: I. (Allegro) | Johann Sebastian Bach, Erik Bosgraaf, Cordevento | F♯ Major | 3 | 2B | 110 BPM | ||
A Sonata of Scots Tunes : Cromlit's Lilt | James Oswald, Orpheus Musicus, Laura Martinez Boj, Sergio Suárez | D♭ Major | 0 | 3B | 82 BPM | ||
Psyche, Act V Scene 3: Rustick musick of Mænades & Ægipanes | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | A♭ Major | 3 | 4B | 120 BPM | ||
Courante "La belle homicide" (Arr. for Lute by Charles Mouton) | Ennemond Gaultier, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
Sonata No. 10 in F Major, “L’ affetuosa”: I. Allegro affettuoso | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | C Major | 4 | 8B | 213 BPM | ||
Andante BWV1003 | 五十嵐紅 | C Major | 1 | 8B | 73 BPM | ||
Guitar Sonata No. 21 in A Major, MS 84 | Niccolò Paganini, Mauro Bonelli | E♭ Major | 2 | 5B | 121 BPM | ||
Sonata in E Minor, Kk. 98 (Arr. for Accordion by Philippe Thuriot) | Domenico Scarlatti, Philippe Thuriot | E Major | 1 | 12B | 140 BPM |