"Seasons in Hell: Act II: Aden, Yemen 1880" by Harold Blumenfeld, College-Conservatory of Music Philarmonia, Rendall Gremillion, Philip Mark Horst, Elizabeth Saunders, Sara Lindell, Chad Smith, Mary Elizabeth Kures, Susana Diaz, James David Lynn, Robin Korsin, Alethea Kolgore, Dieter Cui, Gerhard Samuel was released on October 1, 1997. The duration of Seasons in Hell: Act II: Aden, Yemen 1880 is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Seasons in Hell: Act II: Aden, Yemen 1880's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "Seasons in Hell". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Seasons in Hell: Act II: Aden, Yemen 1880 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Seasons in Hell: Act II: Aden, Yemen 1880 by Harold Blumenfeld, College-Conservatory of Music Philarmonia, Rendall Gremillion, Philip Mark Horst, Elizabeth Saunders, Sara Lindell, Chad Smith, Mary Elizabeth Kures, Susana Diaz, James David Lynn, Robin Korsin, Alethea Kolgore, Dieter Cui, Gerhard Samuel having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dance Suite, BB 86b: IV. Molto tranquillo | Béla Bartók, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 0 | 3B | 98 BPM | ||
Grande messe des morts, Op. 5, "Requiem": Quid sum miser | Hector Berlioz, Toby Spence, SWR Vokalensemble Stuttgart, MDR Leipzig Radio Chorus, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington | B Major | 0 | 1B | 90 BPM | ||
Pelléas et Mélisande, L. 88 / Act II: Interlude (II) | Claude Debussy, Wiener Philharmoniker, Claudio Abbado | B Minor | 2 | 10A | 152 BPM | ||
Puts: The Hours, Act 2: "Richard! Get Down from There" (Clarissa, Richard) [Live] | Kevin Puts, Yannick Nézet-Séguin, Kyle Ketelsen, Renée Fleming, Metropolitan Opera Orchestra | A Major | 1 | 11B | 79 BPM | ||
Carmina Burana / 3. Cour d'amours: "Amor volat undique" | Carl Orff, June Anderson, Chicago Symphony Orchestra, James Levine, Glen Ellyn Children's Chorus | D Minor | 2 | 7A | 135 BPM | ||
Les Pêcheurs de perles, WD 13, Act I: Je crois entendre encore | Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Cyrille Dubois | C Major | 0 | 8B | 90 BPM | ||
War Requiem, Op. 66: xxiii. Libera Me - "It seemed that out of battle I escaped" | Benjamin Britten, Gianandrea Noseda, Ian Bostridge, London Symphony Orchestra | A♭ Major | 0 | 4B | 173 BPM | ||
Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Pesante | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | E♭ Major | 5 | 5B | 61 BPM | ||
Turangalîla Symphonie: 1. Introduction | Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E♭ Minor | 4 | 2A | 143 BPM | ||
The Medium: Monica's Waltz | Gian Carlo Menotti, Patrice Michaels, Chicago Opera Theater Ensemble, Lawrence Rapchak | G Minor | 1 | 6A | 169 BPM |
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