Johannes Brahms, Martha Argerich, Nelson Freire's 'Variations On A Theme By Haydn, "St. Anthony Variations", Op. 56b: Var. IV: Andante Con Moto - Live' came out on October 27, 2022. With Variations On A Theme By Haydn, "St. Anthony Variations", Op. 56b: Var. IV: Andante Con Moto - Live being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 35 out of 303 in Brahms: A Classical October by Johannes Brahms. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Variations On A Theme By Haydn, "St. Anthony Variations", Op. 56b: Var. IV: Andante Con Moto - Live is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Variations On A Theme By Haydn, "St. Anthony Variations", Op. 56b: Var. IV: Andante Con Moto - Live by Johannes Brahms, Martha Argerich, Nelson Freire is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Orfeo ed Euridice: Melody (arr. G. Sgambati) | Giovanni Sgambati, Christoph Willibald Gluck, Jura Margulis | D Minor | 0 | 7A | 71 BPM | ||
Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
Sonata for Viola and Piano No.1 in F minor, Op.120: Andante un poco adagio | Johannes Brahms, Kim Kashkashian, Robert Levin | D♭ Major | 0 | 3B | 80 BPM | ||
Piano Concerto No. 2 in B-Flat Major, Op. 83: III. Andante | Johannes Brahms, Jenő Jandó, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | B♭ Minor | 2 | 3A | 104 BPM | ||
3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
Carnival of the Animals, R. 125: Aquarium | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma | A Minor | 0 | 8A | 81 BPM |
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