The Messiah: Part. I, Aria (But who may abide - Lithuanian Chamber Orchestra Information

Acousticness: 99%
Danceability: 27%
Energy: 15%
Instrumentalness: 0%
Liveness: 8%
Loudness: 67%
Speechiness: 5%
Valence: 25%
Popularity: 0%
Loudness: -19.541 dB

Summary

Lithuanian Chamber Orchestra's 'The Messiah: Part. I, Aria (But who may abide' came out on November 28, 2008. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 53 in the song's album "The Messiah". In this album, this song's track order is #6. The popularity of The Messiah: Part. I, Aria (But who may abide is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

The Messiah: Part. I, Aria (But who may abide BPM

With The Messiah: Part. I, Aria (But who may abide by Lithuanian Chamber Orchestra having a BPM of 167 with a half-time of 84 BPM and a double-time of 334 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.

The Messiah: Part. I, Aria (But who may abide Key

This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Lo frate 'nnamorato: II. Andante	Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato	E Minor	5	9A	165 BPM
Piano Trio No. 1 in D Minor, Op. 49: II. Andante con moto tranquillo	Felix Mendelssohn, Yo-Yo Ma, Itzhak Perlman, Emanuel Ax	B♭ Major	0	6B	63 BPM
Cello Concerto in C Minor, Op. 21: II. Adagio -	Kurt Atterberg, Truls Mørk, Norrlands Operan Symphony Orchestra, Kristjan Järvi	A Minor	0	8A	96 BPM
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto	Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli	G Major	2	9B	87 BPM
Scènes de ballet, Op. 52: VI. Danse Orientale	Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov	A♭ Major	0	4B	78 BPM
弦楽セレナーデハ長調, 作品 48 4. Finale. Andante - Allegro con spirito	Pyotr Ilyich Tchaikovsky, Saulius Sondeckis, Lithuanian Chamber Orchestra	G Major	2	9B	148 BPM
Concerto in F for Violin and Strings, Op. 4/9 , RV 284: Allegro	Antonio Vivaldi, Sergej Krylov, Lithuanian Chamber Orchestra	F Major	4	7B	134 BPM
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo	Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek	D Major	1	10B	119 BPM
Serenade for Cello and Orchestra, Op. 37	Nikolai Rimsky-Korsakov, Vytautas Sondeckis, Lithuanian Chamber Orchestra, David Geringas	B♭ Major	1	6B	109 BPM
Concerto for Cello, Strings and Clavichord in G Major: Concerto for Cello, Strings and Clavichord in G Major: III. Allegro non tanto	Georg Matthias Monn, Freiburger Barockorchester, Jean-Guihen Queyras, Petra Mullejans	D Major	2	10B	121 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6607582569122314

End: 0.6660220623016357