Sonatina for clarinet and piano, Op.29 (1951): 1. Allegro con brio - Malcolm Arnold, Emma Johnson, Malcolm Martineau Information

Acousticness: 96%
Danceability: 41%
Energy: 18%
Instrumentalness: 90%
Liveness: 9%
Loudness: 65%
Speechiness: 3%
Valence: 38%
Popularity: 7%
Loudness: -21.012 dB

Summary

Malcolm Arnold, Emma Johnson, Malcolm Martineau's 'Sonatina for clarinet and piano, Op.29 (1951): 1. Allegro con brio' came out on January 1, 1995. The duration of Sonatina for clarinet and piano, Op.29 (1951): 1. Allegro con brio is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Sonatina for clarinet and piano, Op.29 (1951): 1. Allegro con brio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 19 in Arnold: The Complete Works for Clarinet by Malcolm Arnold, Emma Johnson, English Chamber Orchestra, Ivor Bolton. Based on our statistics, Sonatina for clarinet and piano, Op.29 (1951): 1. Allegro con brio's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Sonatina for clarinet and piano, Op.29 (1951): 1. Allegro con brio BPM

The tempo marking of Sonatina for clarinet and piano, Op.29 (1951): 1. Allegro con brio by Malcolm Arnold, Emma Johnson, Malcolm Martineau is Allegro (fast, quick, and bright), since this song has a tempo of 141 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.

Sonatina for clarinet and piano, Op.29 (1951): 1. Allegro con brio Key

This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Serenade in C Major, Op. 48: I. Pezzo in forma di Sonatina	Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont	C Major	3	8B	112 BPM
Carmen Suite No. 1: 1. Prélude	Georges Bizet, Orchestre de Paris, Semyon Bychkov	A Minor	1	8A	96 BPM
Scènes de ballet, Op. 52: II. Marionnettes	Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov	D Major	0	10B	69 BPM
The Crown Of India: March Of The Mogul Emperors	Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein	B Minor	4	10A	90 BPM
Solitaire: No. 6, Sarabande	Malcolm Arnold, London Philharmonic Orchestra	G Major	0	9B	83 BPM
Le tombeau de Couperin, M. 68: I. Prélude	Maurice Ravel, Cleveland Orchestra, Pierre Boulez	E Minor	0	9A	78 BPM
Polovetsian Dances from Prince Igor: Moderato alla breve	Alexander Borodin, George Szell, Cleveland Orchestra	A Major	2	11B	108 BPM
4 Dance Episodes from Rodeo: I. Buckaroo Holiday	Aaron Copland, Leonard Bernstein, New York Philharmonic	F Major	4	7B	129 BPM
The Banks of Green Willow	George Butterworth, BBC National Orchestra Of Wales, Kriss Russman	A Minor	0	8A	83 BPM
The Banks of Green Willow	George Butterworth, Royal Liverpool Philharmonic Orchestra, Grant Llewellyn	A Minor	0	8A	71 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6753678321838379

End: 0.6801354885101318