- BPM
- 83
- Key
- G Major
- Camelot
- 9B
Solitaire: No. 6, Sarabande - Malcolm Arnold, London Philharmonic Orchestra Information
- Acousticness
- 95%
- Danceability
- 8%
- Energy
- 4%
- Instrumentalness
- 92%
- Liveness
- 8%
- Loudness
- 52%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 4%
- Loudness
- -28.966 dB
Summary
"Solitaire: No. 6, Sarabande" by Malcolm Arnold, London Philharmonic Orchestra was released on August 1, 2006. Solitaire: No. 6, Sarabande is about six minutes long, preciously at 5:38, making this song fairly long compared to other songs. The song is number 9 out of 22 in Arnold: Orchestral Works by Malcolm Arnold, London Philharmonic Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Solitaire: No. 6, Sarabande is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Solitaire: No. 6, Sarabande BPM
The tempo marking of Solitaire: No. 6, Sarabande by Malcolm Arnold, London Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Solitaire: No. 6, Sarabande Key
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM | |
 | Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | |
 | La Mer, L.109: 2. Play of the Waves (Jeux de vagues) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 1 | 12B | 113 BPM | |
 | Blithe Bells (After J.S. Bach's BWV 208) | Percy Grainger, Royal Norwegian Navy Band, Bjarte Engeset | B Major | 2 | 1B | 89 BPM | |
 | 4 Scottish Dances, Op. 59: No. 1. Pesante | Malcolm Arnold, Queensland Symphony Orchestra, Andrew Penny | C Major | 3 | 8B | 79 BPM | |
 | Second Suite in F Major, Op. 28 No. 2, H. 106: IV. Fantasia on the Dargason | Gustav Holst, North Texas Wind Symphony, Eugene Migliaro Corporon | F Major | 1 | 7B | 146 BPM | |
 | Mélodie, Op. 20, No. 1 | Alexander Glazunov, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 84 BPM | |
| 4 Cornish Dances, Op. 91: No. 4. Allegro ma non troppo | Malcolm Arnold, Queensland Symphony Orchestra, Andrew Penny | F Minor | 0 | 4A | 128 BPM | |
 | Finlandia, Op. 26, No. 7 | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 3 | 4B | 67 BPM | |
 | Colonial Song | Percy Grainger, Slovak Radio Symphony Orchestra | E Major | 1 | 12B | 72 BPM |
- ISRC
- GBAET9257200
- Label
- L-M Records/RCA Records
Section: 1.201228380203247
End: 1.2095410823822021