Symphony No. 3, Op. 27 "Espansiva": II. Andante pastorale
Carl Nielsen, Fatma Said, Palle Knudsen, Danish National Symphony Orchestra, Fabio Luisi
Nielsen: Symphonies Nos. 1 & 3
10:38 December 9, 2022
BPM
130
Key
E Major
Camelot
12B

Embed

Share Link

Symphony No. 3, Op. 27 "Espansiva": II. Andante pastorale - Carl Nielsen, Fatma Said, Palle Knudsen, Danish National Symphony Orchestra, Fabio Luisi Information

Acousticness
96%
Danceability
37%
Energy
28%
Instrumentalness
0%
Liveness
76%
Loudness
69%
Speechiness
6%
Valence
42%
Popularity
Loudness
-18.842 dB

Summary

Carl Nielsen, Fatma Said, Palle Knudsen, Danish National Symphony Orchestra, Fabio Luisi made "Symphony No. 3, Op. 27 "Espansiva": II. Andante pastorale" available on December 9, 2022. Symphony No. 3, Op. 27 "Espansiva": II. Andante pastorale appears to be safe for all ages as it is not explicit. There are a total of 8 in the song's album "Nielsen: Symphonies Nos. 1 & 3". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. Based on our statistics, Symphony No. 3, Op. 27 "Espansiva": II. Andante pastorale's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

Symphony No. 3, Op. 27 "Espansiva": II. Andante pastorale BPM

With Symphony No. 3, Op. 27 "Espansiva": II. Andante pastorale by Carl Nielsen, Fatma Said, Palle Knudsen, Danish National Symphony Orchestra, Fabio Luisi having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Symphony No. 3, Op. 27 "Espansiva": II. Andante pastorale Key

E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Variations on a Theme by Haydn, Op. 56a, Variations on a Theme by Haydn, Op. 56a, "St. Anthony Variations": Thema, "Chorale St. Antoni": AndanteJohannes Brahms, London Philharmonic Orchestra, Marin AlsopF♯ Major32B125 BPM
Symphony No. 3: V. Lustig im Tempo und keck im Ausdruck by Gustav Mahler, Berliner Philharmoniker, Gustavo Dudamel, Gerhild Romberger, Damen des Rundfunkchors Berlin, Knaben des Staats- und Domchors BerlinSymphony No. 3: V. Lustig im Tempo und keck im AusdruckGustav Mahler, Berliner Philharmoniker, Gustavo Dudamel, Gerhild Romberger, Damen des Rundfunkchors Berlin, Knaben des Staats- und Domchors BerlinF Major17B111 BPM
Peer Gynt Suite No.2, Op.55: 2. Arabian Dance by Edvard Grieg, Berliner Philharmoniker, Herbert von KarajanPeer Gynt Suite No.2, Op.55: 2. Arabian DanceEdvard Grieg, Berliner Philharmoniker, Herbert von KarajanF Major17B123 BPM
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo by Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella IstropolitanaConcerto Grosso In D Major, Op. 6, No. 1 : III. LargoArcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella IstropolitanaD Major110B78 BPM
Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro by Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di VittorioGli uccelli (The Birds), P. 154: V. Il cucu: AllegroOttorino Respighi, Chamber Orchestra of New York, Salvatore Di VittorioA Major111B117 BPM
A Midsummer Night's Dream, Op. 61: Scherzo by Felix Mendelssohn, Philippe Herreweghe, Orchestre des Champs-ÉlyséesA Midsummer Night's Dream, Op. 61: ScherzoFelix Mendelssohn, Philippe Herreweghe, Orchestre des Champs-ÉlyséesG Minor16A118 BPM
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio by Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw OrchestraViolin Concerto No. 1 in G Minor, Op. 26: II. AdagioMax Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw OrchestraE♭ Major15B87 BPM
Polovetsian Dances from Prince Igor: Introduzione by Alexander Borodin, George Szell, Cleveland OrchestraPolovetsian Dances from Prince Igor: IntroduzioneAlexander Borodin, George Szell, Cleveland OrchestraA Major111B83 BPM
4 Pieces, Op. 51: 1. Fragilité by Alexander Scriabin, Evgeny Kissin4 Pieces, Op. 51: 1. FragilitéAlexander Scriabin, Evgeny KissinE♭ Major05B69 BPM
Symphonic Dances, Op. 45: II. Andante con moto (Tempo di valse) by Sergei Rachmaninoff, Berliner Philharmoniker, Lorin MaazelSymphonic Dances, Op. 45: II. Andante con moto (Tempo di valse)Sergei Rachmaninoff, Berliner Philharmoniker, Lorin MaazelC Minor05A83 BPM
ISRC
DEN962202642
Label
L-M Records/RCA Records

Section: 0.8093302249908447

End: 0.813617467880249