"Chopin: Piano Sonata No. 3 in B Minor, Op. 58: I. Allegro maestoso" by Frédéric Chopin, Martha Argerich was released on 1999. Since Chopin: Piano Sonata No. 3 in B Minor, Op. 58: I. Allegro maestoso is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 10 in Chopin: The Legendary 1965 Recording (2021 Remastered Version) by Frédéric Chopin, Martha Argerich. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Chopin: Piano Sonata No. 3 in B Minor, Op. 58: I. Allegro maestoso is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Chopin: Piano Sonata No. 3 in B Minor, Op. 58: I. Allegro maestoso by Frédéric Chopin, Martha Argerich is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Danse macabre, Op. 40 - Arranged By Franz Liszt & Vladimir Horowitz | Camille Saint-Saëns, Yuja Wang | E♭ Major | 3 | 5B | 111 BPM | ||
24 Preludes & Fugues, Op. 87: Prelude no.13 in F sharp minor. Moderato con moto | Dmitri Shostakovich, Alexander Melnikov | F♯ Major | 0 | 2B | 72 BPM | ||
Nocturne No.5 in F sharp, Op.15 No.2 | Frédéric Chopin, Claudio Arrau | F♯ Major | 0 | 2B | 66 BPM | ||
Piano Sonata in B Minor, S. 178: Cantando espressivo | Franz Liszt, Martha Argerich | F♯ Major | 3 | 2B | 75 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Nocturne No. 20 in C-Sharp Minor, Op. posth. (arr. N. Milstein) | Nathan Milstein, Frédéric Chopin, Elissa Lee Koljonen, Robert Koenig | D♭ Minor | 1 | 12A | 81 BPM | ||
10 Pieces for Piano, Op. 24: Romance, No. 9 | Jean Sibelius, Leif Ove Andsnes | D♭ Major | 0 | 3B | 69 BPM | ||
Schumann: Fantasiestücke, Op. 12: No. 2, Aufschwung | Robert Schumann, Martha Argerich | B♭ Minor | 3 | 3A | 101 BPM | ||
12 Études, Op. 10: No. 11 in E-Flat Major "Arpeggio" | Frédéric Chopin, Maurizio Pollini | E♭ Major | 1 | 5B | 84 BPM | ||
Concerto for Violin & Orchestra, Op. 14: III. Presto in moto perpetuo | Samuel Barber, Gil Shaham, London Symphony Orchestra, André Previn | A Minor | 5 | 8A | 97 BPM |
Section: 1.3102433681488037
End: 1.3151068687438965