"La Bohème: Che gelida manina" by Giacomo Puccini, Roberto Alagna, London Philharmonic Orchestra, Richard Armstrong was released on September 15, 2020. With this song being about 5 minutes long, at 4:50, "La Bohème: Che gelida manina" by Giacomo Puccini, Roberto Alagna, London Philharmonic Orchestra, Richard Armstrong is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 70 in the song's album "Opera Chill & Relax". In this album, this song's track order is #6. La Bohème: Che gelida manina is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Bohème: Che gelida manina by Giacomo Puccini, Roberto Alagna, London Philharmonic Orchestra, Richard Armstrong having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Traviata - Act. Iii - Addio Del Passato | Renata Scotto | A Minor | 1 | 8A | 72 BPM | ||
Rusalka, Op. 114, B. 203, Act I: Mesícku na nebi hlubokém ("Song to the Moon") | Antonín Dvořák, Frederica von Stade, Seiji Ozawa, Boston Symphony Orchestra | F♯ Major | 1 | 2B | 93 BPM | ||
Les Pecheurs De Perles: Je Crois Entendre Encore | Alfredo Kraus, Georges Bizet, Nicola Rescigno, Orquesta Manuel de Falla | A Minor | 1 | 8A | 81 BPM | ||
Vesperae solennes de confessore in C Major, K. 339, "Solemn Vespers": IV. Laudate Dominum | Wolfgang Amadeus Mozart, Priti Coles, Kosice Teachers' Choir, Camerata Cassovia, Johannes Wildner | F Major | 1 | 7B | 112 BPM | ||
Lucia di Lammermoor Tu che a dio spiegasti l'ali | Mario del Monaco | D♭ Major | 2 | 3B | 75 BPM | ||
L'Heure exquise | Reynaldo Hahn, Susan Graham | D♭ Major | 0 | 3B | 79 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
Giacomo Puccini: Madame Butterfly - Summchor | Chor der Staatsoper Wien, Vienna Volksoper Orchestra, Wilhelm Loibner | B♭ Major | 0 | 6B | 85 BPM | ||
Le nozze di Figaro, K.492 / Act 2: "Porgi amor" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Metropolitan Opera Orchestra, James Levine | C Minor | 1 | 5A | 61 BPM | ||
Madame Butterfly - Grosser Querschnitt: Das ist sicher ein Kriegsschiff | Alfred Brüggemann, Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Anneliese Rothenberger, Giuseppe Patanè, Orchester der Deutschen Oper Berlin | F♯ Minor | 1 | 11A | 178 BPM |
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