"Die lustigen Weiber von Windsor: Akt II: Finale: "Wer klopft?"" by Otto Nicolai, Staatskapelle Berlin, Chor Der Staatsoper Berlin, Bernhard Klee was released on January 1, 1978. Die lustigen Weiber von Windsor: Akt II: Finale: "Wer klopft?" is about six minutes long, preciously at 6:12, making this song fairly long compared to other songs. There are a total of 33 in the song's album "Nicolai: Die lustigen Weiber von Windsor". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Germany. In terms of popularity, Die lustigen Weiber von Windsor: Akt II: Finale: "Wer klopft?" is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Die lustigen Weiber von Windsor: Akt II: Finale: "Wer klopft?" by Otto Nicolai, Staatskapelle Berlin, Chor Der Staatsoper Berlin, Bernhard Klee having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2, Op. 52, "Lobgesang": IX. Sopran solo, Tenor solo: Drum singe ich mit meinem Liede | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi, Chen Reiss, Patrick Grahl | E Major | 1 | 12B | 72 BPM | ||
Requiem in D Minor, WAB 39: I. Introitus. Requiem | Anton Bruckner, RIAS Kammerchor, Akademie für Alte Musik Berlin, Łukasz Borowicz | B Minor | 1 | 10A | 166 BPM | ||
L'Arlésienne Suite No.1: Carillon | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 65 BPM | ||
La traviata, Act I: Overture: La Traviata, Act III: Prelude | Giuseppe Verdi, Budapest Philharmonic Orchestra, Karolos Trikolidis | F Major | 1 | 7B | 75 BPM | ||
Ein deutsches Requiem, Op. 45: Langsam - Ihr habt nun Traurigkeit - 1997 Digital Remaster | Johannes Brahms, Elisabeth Schwarzkopf, Dietrich Fischer-Dieskau, The Philharmonia Chorus, Philharmonia Orchestra, Ralph Downes, Reinhold Schmid, Otto Klemperer | G Major | 0 | 9B | 90 BPM | ||
Messa da Requiem: Introit: Requiem aeternam - Kyrie (Solo Quartet, Chorus) | Giovanni Bottesini, Marta Matheu, Gemma Coma-Alabert, Agustin Prunell-Friend, Enric Martinez-Castignani, Joyful Company Of Singers, London Philharmonic Orchestra, Thomas Martin | C Minor | 1 | 5A | 167 BPM | ||
Elias, Op. 70, MWV A25, Part I: Introduction "So wahr der Herr, der Gott Israels, lebet" (Elijah) | Felix Mendelssohn, Petteri Salomaa, Orchestre des Champs-Élysées, Philippe Herreweghe | D Major | 3 | 10B | 109 BPM | ||
Tosca (arr. for orchestra): Tosca, Act II: Vissi d'arte (arr. for orchestra) | Anonymous , Giacomo Puccini, Sofia Philharmonic Orchestra, Emil Tabakov | E♭ Major | 0 | 5B | 83 BPM | ||
Schubert: Mass in G Major, D. 167: Kyrie | Franz Schubert, Lucia Popp, Elmar Schloter, Wolfgang Sawallisch, Bavarian Radio Symphony Orchestra | E Minor | 0 | 9A | 124 BPM | ||
Otello: Overture | Gioachino Rossini, Donato Renzetti, Orchestra Filarmonica Gioachino Rossini | E♭ Major | 2 | 5B | 138 BPM |
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