Symphony No. 2, Op. 52, "Lobgesang": IX. Sopran solo, Tenor solo: Drum singe ich mit meinem Liede
Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi, Chen Reiss, Patrick Grahl
Mendelssohn: Symphonies
4:32 March 15, 2024
BPM
72
Key
E Major
Camelot
12B

Embed

Share Link

Symphony No. 2, Op. 52, "Lobgesang": IX. Sopran solo, Tenor solo: Drum singe ich mit meinem Liede - Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi, Chen Reiss, Patrick Grahl Information

Acousticness
92%
Danceability
19%
Energy
8%
Instrumentalness
0%
Liveness
8%
Loudness
60%
Speechiness
5%
Valence
4%
Popularity
Loudness
-23.992 dB

Summary

"Symphony No. 2, Op. 52, "Lobgesang": IX. Sopran solo, Tenor solo: Drum singe ich mit meinem Liede" by Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi, Chen Reiss, Patrick Grahl was released on March 15, 2024. With this song being about 5 minutes long, at 4:32, "Symphony No. 2, Op. 52, "Lobgesang": IX. Sopran solo, Tenor solo: Drum singe ich mit meinem Liede" by Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi, Chen Reiss, Patrick Grahl is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Felix Mendelssohn, Paavo Järvi, Tonhalle-Orchester Zürich's "Mendelssohn: Symphonies" album is number 11 out of 36. On top of that, France appears to be the country where this track was created. Symphony No. 2, Op. 52, "Lobgesang": IX. Sopran solo, Tenor solo: Drum singe ich mit meinem Liede is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Symphony No. 2, Op. 52, "Lobgesang": IX. Sopran solo, Tenor solo: Drum singe ich mit meinem Liede BPM

We consider the tempo marking of Symphony No. 2, Op. 52, "Lobgesang": IX. Sopran solo, Tenor solo: Drum singe ich mit meinem Liede by Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi, Chen Reiss, Patrick Grahl to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Symphony No. 2, Op. 52, "Lobgesang": IX. Sopran solo, Tenor solo: Drum singe ich mit meinem Liede Key

E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
The Pirates of Penzance: How Beautifully Blue the Sky by Patricia Cameron, Pauline BirchallThe Pirates of Penzance: How Beautifully Blue the SkyPatricia Cameron, Pauline BirchallC Major18B59 BPM
Four Last Songs, TrV 296 (Arr. for Piano and Soprano by Max Wolff): IV. Im Abendrot by Richard Strauss, Asmik Grigorian, Markus HinterhäuserFour Last Songs, TrV 296 (Arr. for Piano and Soprano by Max Wolff): IV. Im AbendrotRichard Strauss, Asmik Grigorian, Markus HinterhäuserE♭ Major05B69 BPM
Wer hat dies Liedlein erdacht by Gustav Mahler, Felicity Lott, Graham JohnsonWer hat dies Liedlein erdachtGustav Mahler, Felicity Lott, Graham JohnsonC Minor35A133 BPM
Otello: Deh calma, o ciel, nel sonno by Gioachino Rossini, Hera Hyesang Park, Orchestra del Teatro Carlo Felice, Jochen RiederOtello: Deh calma, o ciel, nel sonnoGioachino Rossini, Hera Hyesang Park, Orchestra del Teatro Carlo Felice, Jochen RiederF♯ Minor211A80 BPM
Symphony No. 8 in E Flat Major Symphony No. 8 in E Flat Major "Symphony of a Thousand" / Pt. 2: Komm! hebe dich zu höhern SphärenGustav Mahler, Erin Morley, Los Angeles Philharmonic, Gustavo DudamelB♭ Major16B86 BPM
Misatango, Misa a Buenos Aires: VIII. Crucifixus by MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto PereyraMisatango, Misa a Buenos Aires: VIII. CrucifixusMartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto PereyraC Minor25A92 BPM
Les 7 paroles du Christ: 5e Parole - Les 7 paroles du Christ: 5e Parole - "Sitio"Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold WickeB♭ Minor13A141 BPM
Iphigénie en Tauride, Wq. 46 (Excerpts): Des noirs pressentiments by Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Dietrich Fischer-DieskauIphigénie en Tauride, Wq. 46 (Excerpts): Des noirs pressentimentsChristoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Dietrich Fischer-DieskauA Minor38A110 BPM
Gluck: Orfeo ed Euridice, Wq. 30: Sinfonia by Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'AmoreGluck: Orfeo ed Euridice, Wq. 30: SinfoniaChristoph Willibald Gluck, Stefan Plewniak, Il Giardino d'AmoreD♭ Major33B129 BPM
Fausto, Act II: Cavatina. Palpita nel seno gelido il cor by Louise Bertin, Karina Gauvin, Les Talens Lyriques, Christophe RoussetFausto, Act II: Cavatina. Palpita nel seno gelido il corLouise Bertin, Karina Gauvin, Les Talens Lyriques, Christophe RoussetD Major410B95 BPM
ISRC
FR50X2300419
Label
L-M Records/RCA Records

Section: 0.797905683517456

End: 0.8019139766693115