"Ave Maria" by Paul Marleyn, Mauro Bertoli was released on February 13, 2014. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Paul Marleyn, Mauro Bertoli's "J.S. Bach - C. Gounod: Ave Maria - C. Saint-Saens: The Swan - A. Glazounov: The Minstrel's Song / Le Chant Du Ménéstrel, Op. 71 - C.W. Gluck: Dance of the Blessed Spirits" album is number 1 out of 4. On top of that, United States appears to be the country where this track was created. Based on our statistics, Ave Maria's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ave Maria by Paul Marleyn, Mauro Bertoli to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sicilenne | Maria von Paradis, Louise-Andrée Baril, Thérèse Motard | E♭ Major | 0 | 5B | 70 BPM | ||
Spartacus Love Theme | ARSHA KAVIANI | E Minor | 1 | 9A | 68 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Janine Jansen, Oslo Philharmonic Orchestra, Klaus Mäkelä | B♭ Major | 1 | 6B | 87 BPM | ||
Great Dramatic Sonata "Titus et Bérénice" for Cello and Piano: III. Lento tristamente | Rita Strohl, Sandra Lied Haga, Katya Apekisheva | D♭ Minor | 0 | 12A | 98 BPM | ||
Tannhauser: "Song of the Evening Star" | Kenneth Kuo, Chia Yuan Liang | D Major | 2 | 10B | 88 BPM | ||
Piano and Cello Sonata No. 3 in A Major, Op. 69: I. Allegro, ma non tanto | Paul Marleyn, Mauro Bertoli | B Minor | 1 | 10A | 100 BPM | ||
Serenade in C Major, Op. 10: I. Marcia: Allegro | Ernst von Dohnányi, Laszlo Barsony, Dénes Kovács, Karoly Botvay | D♭ Major | 2 | 3B | 123 BPM | ||
Lieder Ohne Worte, Drittes Heft, Op. 38 (Arr. for Violin and Piano by Ferdinand David): II. Allegro non troppo | Felix Mendelssohn, Michael Barenboim, Natalia Pegarkova-Barenboim | D Major | 1 | 10B | 143 BPM | ||
Nocturnes, Op. 32: I. Andante sostenuto (Arr. for Cello & Piano by Julian Riem) | Frédéric Chopin, Olga Scheps, Raphaela Gromes | E♭ Major | 1 | 5B | 170 BPM | ||
Sandra's motif | Anton Strandh, Henrik Lindström | A Major | 0 | 11B | 66 BPM |
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