シュトゥットガルト・プロ・ムジカ管弦楽団, シュトゥットガルト・プロ・ムジカ合唱団, マルセル・クーロ made "スターバト・マーテル/悲しみに沈める御母は(『ジャック・ドゥミの少年期』より)" available on September 28, 2022. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 映画の中のクラシック ヴィヴァルディの映画館, so we believe that "スターバト・マーテル/悲しみに沈める御母は(『ジャック・ドゥミの少年期』より)" is a single. In terms of popularity, スターバト・マーテル/悲しみに沈める御母は(『ジャック・ドゥミの少年期』より) is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of スターバト・マーテル/悲しみに沈める御母は(『ジャック・ドゥミの少年期』より) by シュトゥットガルト・プロ・ムジカ管弦楽団, シュトゥットガルト・プロ・ムジカ合唱団, マルセル・クーロ is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite From Abdelzar: III. Minuet | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Major | 2 | 2B | 87 BPM | ||
Concerto grosso No. 7 in D Major, Op. 6: II. Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 80 BPM | ||
Harpsichord Suite No. 5 in E HWV 430 "The Harmonious Blacksmith" - Arr. Andreas N. Tarkmann: Variations for Oboe, Bassoon and Harpsichord | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Guilhaume Santana, Monika Razynska | F Major | 2 | 7B | 140 BPM | ||
Concerto in C major for violoncello piccolo, strings and b.c.: Allegro | Giovanni Battista Sammartini, Camerata Köln | F♯ Major | 2 | 2B | 133 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: II. Allegro | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 2 | 1A | 131 BPM | ||
Bach, JS: Mass in B Minor, BWV 232: Gratias agimus tibi | Johann Sebastian Bach, Chorus of Collegium Vocale, Ghent, Orchestra Of Collegium Vocale, Philippe Herreweghe, Collegium Vocale Gent, Orchestra of Collegium Vocale Gent | D♭ Major | 2 | 3B | 78 BPM | ||
Symphony in D Major, J-C 16: I. Alla breve | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 64 BPM | ||
Stabat Mater: 7. Eia Mater | Giovanni Battista Pergolesi, James Bowman, Academy of Ancient Music, Christopher Hogwood | E Minor | 0 | 9A | 125 BPM | ||
Concerto a cinque No. 3, Op. 7: III. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A Major | 3 | 11B | 120 BPM | ||
Missa Dei Filii, ZWV 20: Kyrie eleison (Coro) | Jan Dismas Zelenka, Frieder Bernius | A♭ Major | 0 | 4B | 83 BPM |
Section: 0.6008744239807129
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