Jordi Savall made "L'Uniforme, IV.65 (Marais)" available on January 1, 2006. With L'Uniforme, IV.65 (Marais) being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jordi Savall's "Marin Marais: Suite D'Un Goût Etranger / Pièces De Viole Du IV Livre, 1717" album is number 11 out of 33. On top of that, Switzerland appears to be the country where this track was created. L'Uniforme, IV.65 (Marais) is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of L'Uniforme, IV.65 (Marais) by Jordi Savall to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pavana Con Su Glosa | Antonio de Cabezón, Hespèrion XXI, Jordi Savall | C Major | 1 | 8B | 117 BPM | ||
Chamber Sonata No. 4 in G Minor: III. Adagio | Élisabeth Jacquet de La Guerre, Musica Fiorita | D Minor | 3 | 7A | 99 BPM | ||
Terpsichore*: a. Bransle Gay 1 b. Bransle de Montirande | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | E♭ Major | 1 | 5B | 105 BPM | ||
Diferencias De Folias | Juan Cabanilles, Hespèrion XXI, Jordi Savall | D♭ Minor | 3 | 12A | 101 BPM | ||
Mystery (Rosary) Sonata No. 9, "Jesus Carries the Cross": I. Sonata | Heinrich Ignaz Franz von Biber, Bjarte Eike, Milos Valent | A♭ Minor | 1 | 1A | 122 BPM | ||
Improvisations sur les folies d'Espagne (extraits) (Marin Marais) | Marin Marais, Jordi Savall | B Major | 1 | 1B | 59 BPM | ||
Gesproken tekst LVII – LIX (22): "De Zotheid der bisschoppen, kardinalen en soevereine pausen" / Muziek: Estas noches tan largas (Instrumentaal - C. M. Calabria No. 26) | La Capella Reial De Catalunya, Hespèrion XXI, Maike Boerdam, Jordi Savall, Sophie Watillon, Sergi Casademunt, Eunice Brandao, Andrew Lawrence-King | G Minor | 9 | 6A | 84 BPM | ||
Si habrá en este baldrés? | Juan del Encina, Piffaro | D Minor | 3 | 7A | 118 BPM | ||
Quintetto in Do Maggiore La Musica Notturna Delle Strade Di Madrid Op. 30, No. 6, G. 324: Passa Calle - Allegro Vivo | Luigi Boccherini, Jordi Savall, Rolf Lislevand, Le Concert Des Nations | G Major | 1 | 9B | 102 BPM | ||
Gallyard (Anonyme) | Jordi Savall | G Minor | 2 | 6A | 76 BPM |
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