Richard Wagner, Vienna State Opera Chorus, Rudolf Kempe, Wiener Philharmoniker's 'Wagner: Lohengrin, WWV 75, Act 3 Scene 3: Morgenröte, "Heil! König Heinrich!" (Männer, König)' came out on 1964. With this song being about 5 minutes long, at 5:02, "Wagner: Lohengrin, WWV 75, Act 3 Scene 3: Morgenröte, "Heil! König Heinrich!" (Männer, König)" by Richard Wagner, Vienna State Opera Chorus, Rudolf Kempe, Wiener Philharmoniker is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wagner: Lohengrin by Richard Wagner, Rudolf Kempe. The song's track number on the album is #11 out of 55 tracks. Wagner: Lohengrin, WWV 75, Act 3 Scene 3: Morgenröte, "Heil! König Heinrich!" (Männer, König) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Wagner: Lohengrin, WWV 75, Act 3 Scene 3: Morgenröte, "Heil! König Heinrich!" (Männer, König) by Richard Wagner, Vienna State Opera Chorus, Rudolf Kempe, Wiener Philharmoniker has a tempo of 72 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Wagner: Lohengrin, WWV 75, Act 3 Scene 3: Morgenröte, "Heil! König Heinrich!" (Männer, König) being at 72 BPM, the half-time would be 36 BPM with a double-time of 144 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 173 BPM | ||
Götterdämmerung, WWV 86D, Prologue: Vorspiel | Richard Wagner, Hong Kong Philharmonic Orchestra, Jaap Van Zweden | B Major | 0 | 1B | 65 BPM | ||
Alexander Nevsky, Op. 78: VI. Field Of The Dead | Sergei Prokofiev, Elena Obraztsova, London Symphony Orchestra, Claudio Abbado | C Minor | 0 | 5A | 77 BPM | ||
Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht | Gustav Mahler, Lorin Maazel, Wiener Philharmoniker | B♭ Major | 2 | 6B | 130 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): IV. Farandole | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 3 | 10B | 91 BPM | ||
Carmina Burana / 1. Primo vere: "Ecce gratum" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Major | 4 | 6B | 139 BPM | ||
Requiem aeternam: Dies irae | Franz von Suppé, Marie Fajtová, Franziska Gottwald, Tomislav Musek, Albert Pesendorfer, Munich Philharmonic Chorus, Philharmonie Festiva, Gerd Schaller | D Minor | 3 | 7A | 88 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus": "Veni creator spiritus" | Gustav Mahler, Vienna State Opera Chorus, Wiener Singverein, Chicago Symphony Orchestra, Sir Georg Solti | A♭ Major | 5 | 4B | 132 BPM | ||
Rigoletto / Preludio: Preludio | Giuseppe Verdi, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | C Minor | 0 | 5A | 64 BPM |
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