"Roman Nepi Tancok (Romanian Folk Dances), Bb 68: 3. Topogo - Pe Loc" by Béla Bartók, Jenő Jandó was released on February 3, 2002. With Roman Nepi Tancok (Romanian Folk Dances), Bb 68: 3. Topogo - Pe Loc being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 24 out of 32 in Bartok: Dance Suite, Sz. 77 / Romanian Folk Dances by Béla Bartók. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Roman Nepi Tancok (Romanian Folk Dances), Bb 68: 3. Topogo - Pe Loc is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Roman Nepi Tancok (Romanian Folk Dances), Bb 68: 3. Topogo - Pe Loc by Béla Bartók, Jenő Jandó is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet in G Minor, Op. 10: I. Animé et très décidé | Claude Debussy, Quatuor Ébène | F♯ Minor | 0 | 11A | 84 BPM | ||
24 Preludes and Fugues, Op. 87: Prelude No. 1 in C Major: Moderato | Dmitri Shostakovich, Konstantin Scherbakov | E Minor | 0 | 9A | 62 BPM | ||
24 Preludes and Fugues, Op. 87: Prelude No. 4 in E Minor: Andante | Dmitri Shostakovich, Konstantin Scherbakov | G Major | 0 | 9B | 100 BPM | ||
3 Romances, Op. 11: I. Andante | Clara Schumann, Yoshiko Iwai | E♭ Minor | 0 | 2A | 106 BPM | ||
Raymonda, Op. 57: Act III - Variation IV | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D Minor | 0 | 7A | 90 BPM | ||
Intermezzo No. 2 in B-Flat Minor, Op. 117 - Andante non troppo e con molta espressione - Remastered | Johannes Brahms, Glenn Gould | B♭ Minor | 0 | 3A | 203 BPM | ||
Variations On A Theme By Chopin: Variation 1. Tranquillo e molto amabile | Federico Mompou, Daniil Trifonov | A Major | 0 | 11B | 66 BPM | ||
Musica ricercata No. 7 in B-Flat Major | György Ligeti, Khatia Buniatishvili | E♭ Major | 0 | 5B | 87 BPM | ||
Dance Suite, Sz 77: VI. Finale. Allegro | Béla Bartók, Alain Planès | A Minor | 2 | 8A | 67 BPM | ||
Thais, Act II: Meditation (arr. M.P. Marsick) | Martin Pierre Marsick, Jules Massenet, Takako Nishizaki, Jenő Jandó | D Major | 1 | 10B | 84 BPM |
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