Dmitri Shostakovich, Konstantin Scherbakov's '24 Preludes and Fugues, Op. 87: Prelude No. 1 in C Major: Moderato' came out on November 30, 2000. The duration of 24 Preludes and Fugues, Op. 87: Prelude No. 1 in C Major: Moderato is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. 24 Preludes and Fugues, Op. 87: Prelude No. 1 in C Major: Moderato's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 48 in the song's album "Shostakovich: 24 Preludes and Fugues, Op. 87". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Hong Kong. 24 Preludes and Fugues, Op. 87: Prelude No. 1 in C Major: Moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 24 Preludes and Fugues, Op. 87: Prelude No. 1 in C Major: Moderato by Dmitri Shostakovich, Konstantin Scherbakov having a BPM of 62 with a half-time of 31 BPM and a double-time of 124 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | ||
Nocturne No. 4 in A Major | John Field, Benjamin Frith | A Major | 0 | 11B | 69 BPM | ||
6 Consolations, S. 172: No. 1 In E Major (Andante con moto) | Franz Liszt, Daniel Barenboim | A Major | 0 | 11B | 88 BPM | ||
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | ||
8 Études, Op. 42: No. 5 in C-Sharp Minor | Alexander Scriabin, Evgeny Kissin | D♭ Minor | 2 | 12A | 132 BPM | ||
Scherzo | Franz Liszt, Jenő Jandó | B♭ Major | 2 | 6B | 128 BPM | ||
The Golden Age Suite, Op. 22a: Adagio | Dmitri Shostakovich, New Zealand Symphony Orchestra, Christopher Lyndon-Gee | E♭ Major | 0 | 5B | 86 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
5 Pieces, Op. 75, "The Trees": No. 1 Nar ronnen blommar (When the Rowan Blossoms) | Jean Sibelius, Håvard Gimse | E♭ Major | 0 | 5B | 75 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.8 in E flat minor BWV853 | Daniel Barenboim | A♭ Minor | 0 | 1A | 70 BPM |
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