"The Lamb" by John Tavener, Choir of King's College, Cambridge, Stephen Cleobury was released on November 8, 2019. The duration of The Lamb is about 3 minutes long, at 3:07. Based on our data, "The Lamb" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 15 out of 32 in A Festival of Nine Lessons & Carols: The Centenary Service by Stephen Cleobury, Choir of King's College, Cambridge. Based on our statistics, The Lamb's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Lamb by John Tavener, Choir of King's College, Cambridge, Stephen Cleobury is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonia et Ordo virtutum: O Euchari, in leta via | Hildegard von Bingen, Elin Manahan Thomas | D♭ Minor | 0 | 12A | 82 BPM | ||
3 Sacred Hymns: No. 1. Bogoroditse devo, raduysya, Blagodotnaya Marie (Hail Mary, full of Grace) | Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra | E♭ Major | 1 | 5B | 69 BPM | ||
4 Songs of Love: No. 1, Let Him Kiss Me | Sven-David Sandström, Sofia Vokalensemble, Bengt Ollen | E♭ Major | 0 | 5B | 80 BPM | ||
The Swan of Tuonela, Op. 22, No. 2 | Jean Sibelius, Gerhard Stempnik, Berliner Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 86 BPM | ||
Requiem, Op. 48: Requiem, Op. 48: I. Introït | Gabriel Fauré, Ensemble Musique Oblique, Philippe Herreweghe, Les Petits Chanteurs de Saint-Louis, La Chapelle Royale | D Minor | 0 | 7A | 108 BPM | ||
More Sweet Than My Refrain | Howard Skempton, Ars Nova Copenhagen, Paul Hillier | A Major | 0 | 11B | 82 BPM | ||
Beata viscera | Jan Garbarek, Pérotin, The Hilliard Ensemble | G Major | 0 | 9B | 138 BPM | ||
Komm, süsser Tod, BWV 478 (Arr. L. Stokowski for Orchestra) | Johann Sebastian Bach, Yannick Nézet-Séguin, Orchestre Métropolitain | B♭ Minor | 0 | 3A | 79 BPM | ||
and the swallow | Caroline Shaw, Ars Nova Copenhagen, Paul Hillier | B♭ Minor | 1 | 3A | 116 BPM | ||
A Lion´s Sleep | Ivan Moody, Trio Mediæval | G Major | 0 | 9B | 97 BPM |
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