Toccata & Fugue in D Minor, BWV 565
Johann Sebastian Bach, Lionel Rogg
J.S. Bach: Toccata & Fugue in D Minor
9:03 1998
BPM
85
Key
D♭ Minor
Camelot
12A

Embed

Share Link

Toccata & Fugue in D Minor, BWV 565 - Johann Sebastian Bach, Lionel Rogg Information

Acousticness
75%
Danceability
11%
Energy
14%
Instrumentalness
64%
Liveness
8%
Loudness
67%
Speechiness
3%
Valence
17%
Popularity
Loudness
-20.081 dB

Summary

"Toccata & Fugue in D Minor, BWV 565" by Johann Sebastian Bach, Lionel Rogg was released on 1998. Since Toccata & Fugue in D Minor, BWV 565 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Johann Sebastian Bach, Lionel Rogg's "J.S. Bach: Toccata & Fugue in D Minor" album is number 2 out of 10. Toccata & Fugue in D Minor, BWV 565 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Toccata & Fugue in D Minor, BWV 565 BPM

We consider the tempo marking of Toccata & Fugue in D Minor, BWV 565 by Johann Sebastian Bach, Lionel Rogg to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Toccata & Fugue in D Minor, BWV 565 Key

This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": II. AllegrettoLudwig van Beethoven, Jenő JandóD♭ Major03B72 BPM
Concerto grosso, Op. 3 (revised), No. 6 in E Minor: IV. Allegro by Francesco Geminiani, Concerto KölnConcerto grosso, Op. 3 (revised), No. 6 in E Minor: IV. AllegroFrancesco Geminiani, Concerto KölnE♭ Minor12A129 BPM
The Carnival of the Animals, R. 125: VII. Aquarium by Camille Saint-Saëns, Arthur Fiedler, Boston Pops OrchestraThe Carnival of the Animals, R. 125: VII. AquariumCamille Saint-Saëns, Arthur Fiedler, Boston Pops OrchestraA Minor38A67 BPM
Concerto for Violin & Oboe in C Minor, BWV 1060R: I. Allegro by Johann Sebastian Bach, Alexei Ogrintchouk, Alina Ibragimova, Swedish Chamber Orchestra, Reinut TeppConcerto for Violin & Oboe in C Minor, BWV 1060R: I. AllegroJohann Sebastian Bach, Alexei Ogrintchouk, Alina Ibragimova, Swedish Chamber Orchestra, Reinut TeppC Minor25A97 BPM
The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One) by Igor Stravinsky, Teodor Currentzis, musicAeternaThe Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One)Igor Stravinsky, Teodor Currentzis, musicAeternaD Minor57A136 BPM
Grieg: Peer Gynt (Incidental Music), Op. 23, Act 2: No. 8, In the Hall of the Mountain King by Edvard Grieg, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville MarrinerGrieg: Peer Gynt (Incidental Music), Op. 23, Act 2: No. 8, In the Hall of the Mountain KingEdvard Grieg, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville MarrinerB Minor110A105 BPM
Also sprach Zarathustra, Op. 30: I. Einleitung, oder Sonnenaufgang by Richard Strauss, Chicago Symphony Orchestra, Pierre BoulezAlso sprach Zarathustra, Op. 30: I. Einleitung, oder SonnenaufgangRichard Strauss, Chicago Symphony Orchestra, Pierre BoulezB Major01B78 BPM
Tocata y Fuga in D Minor, BWV 565 by Angel Antonio GonzálezTocata y Fuga in D Minor, BWV 565Angel Antonio GonzálezD Minor27A76 BPM
Fauré: Pelléas et Mélisande, Op. 80: III. Sicilienne (Arr. Robilliard) by Gabriel Fauré, Olivier LatryFauré: Pelléas et Mélisande, Op. 80: III. Sicilienne (Arr. Robilliard)Gabriel Fauré, Olivier LatryE♭ Major05B74 BPM
Wir müssen durch viel Trübsal, BWV 146: Sinfonia by Johann Sebastian Bach, Brigitte Geller, William Towers, Mark Padmore, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot GardinerWir müssen durch viel Trübsal, BWV 146: SinfoniaJohann Sebastian Bach, Brigitte Geller, William Towers, Mark Padmore, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot GardinerD Major010B102 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6303756237030029

End: 0.6367855072021484